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THE LAST GUNFIGHT

THE REAL STORY OF THE SHOOTOUT AT THE O.K. CORRAL--AND HOW IT CHANGED THE AMERICAN WEST

An absorbing, meticulous account of the famous O.K. Corral gunfight as it really happened.

In books, movies and TV series, Wyatt Earp has been portrayed as an American frontier hero who, along with his brothers and his friend Doc Holliday, faced down evil cowboys in the 1881 Tombstone, Ariz., gunfight immortalized in John Ford’s classic My Darling Clementine (1946), starring Henry Fonda. In fact, writes 2010 Edgar Award finalist Guinn (Go Down Together: The True, Untold Story of Bonnie and Clyde, 2009, etc.), the traditional rendering of the celebrated shootout has skewed our understanding of frontier history. The gunfight did not occur in the O.K. Corral, but rather in a nearby vacant lot. Nobody knows exactly what happened during the shootout—we can only piece together “most likely scenarios” writes the author—but it certainly was not a classic confrontation between good and evil, as described by many writers. Drawing on papers and interviews, Guinn places his complex and nuanced story firmly within the context of the evolving Western frontier, where gold and silver began attracting prospectors, miners, and con artists in the 1850s. When the Earp brothers arrived in 1879, the nascent mining town of Tombstone had about 900 residents. Virgil Earp became police chief. Wyatt, a sometime lawman, played card games in local bars. Their brawling dentist friend Doc Holliday also gambled. Describing the many social, political and other forces that set the stage for the gunfight (including new edicts regarding arrests and carrying guns), Guinn details the historic events of the cold afternoon of Oct. 26, 1881: drunken outlaw Ike Clanton’s wild threats against Wyatt Earp and Holliday; Virgil’s attempt (together with his brothers and Doc) to disarm Ike and his cowboy buddies; and the 30-second exchange of gunfire that left three cowboys dead. Just the facts—and still a great story.

 

Pub Date: May 17, 2011

ISBN: 978-1-4391-5424-3

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: April 3, 2011

Kirkus Reviews Issue: April 1, 2011

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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