by Jeff Guinn & Douglas Perry ‧ RELEASE DATE: March 3, 2005
Skip this one, unless you want to read Irene Cara’s musings on inner peace or Susan McDougal’s version of Whitewater.
What happens after your 15 minutes of fame?
Mick Foley, Irene Cara, Jim Wright—if you can’t place these names, you’re okay. They’re three of the once-famous people chronicled in this study of life after fleeting fame. Guinn and Perry (journalists with the Fort Worth Star-Telegram and The Oregonian) pose some interesting questions: How does fame change a person? What is it like to go from stardom to—utter obscurity? Unfortunately, there are no satisfying answers here. One might expect a little history of fame; or some evidence that the authors had acquainted themselves with basic psychology; or a discussion of why fame is so important to the American psyche. But instead of an innovative analysis of life after fame, Guinn and Perry have simply cobbled together overly long profiles of a handful of once-famous folks. Each chapter tends to be the simple retelling of life-stories of people once but now forgotten. Those on Susan McDougal and Kelly Clarkson may come closest to satisfactorily addressing the topic of fame. McDougal found that, after she got out of prison and returned to small-town Arkansas, her life felt meaningless, so she returned to the public eye as an advocate for imprisoned women. Clarkson, the American Idol heroine, had wanted to be famous since she was a tiny tot, and, having achieved fame, she’s doing her fierce (and pathetic) best to hold onto it. Organization is also wanting. Chapters consist of a profile of an individual has-been followed by a chapter that tells part of the story of Melvin Dummar (the working-class guy who claimed Howard Hughes named him as an heir). It’s unclear why the authors devote half their text to Dummar, or why they spread his story out over the entire manuscript. Whatever the aim, the arrangement doesn’t work.
Skip this one, unless you want to read Irene Cara’s musings on inner peace or Susan McDougal’s version of Whitewater.Pub Date: March 3, 2005
ISBN: 1-58452-389-0
Page Count: 384
Publisher: TarcherPerigee
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2005
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by Jeff Guinn
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by Jeff Guinn
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by Jeff Guinn
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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