A funny, clever consideration of an iconic object.
Marcel Duchamp’s use of a urinal to challenge assumptions about art in 1917 New York has inherent kid appeal—and Mack exploits the possibilities.
The artist is first glimpsed holding a pen and standing next to Mona Lisa, who sports an inky mustache and goatee. Readers then see a star pattern shaved into Duchamp’s hair—examples of how a bizarre sensibility permeated his art. The book is primarily concerned, however, with the furor caused when Duchamp purchased the toilet from a sanitation company (“Come to Dada,” he croons affectionately) and submitted it to the “fancy art show.” Collages employ acrylics, watercolors, digital ink, and materials with interesting textures. The narrative is set on strips of colored paper, while the dialogue is presented in capital letters in different colors and fonts; some appear pasted on. These techniques are characteristic of the Dada art movement, contextualized in a more straightforward (but still engaging) addendum. The design is inspired. Potty humor and wordplay abound: “It says here there’s a toilet in an art show and everyone will be going.” Mack takes some liberties with the truth; the exhibition’s organizers actually excluded the piece from the show (it appeared in the catalog), whereas Mack has visitors reacting to it. This decision does focus attention on actual responses (people were amused or aghast at the concept) and on the questions Duchamp provoked about the nature of art. (This book was reviewed digitally.)
A funny, clever consideration of an iconic object. (Informational picture book. 4-8)Pub Date: Aug. 23, 2022
ISBN: 978-1-250-77716-4
Page Count: 48
Publisher: Henry Holt
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
Readers will agree that “Melba Doretta Liston was something special.”
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
A resplendent masterpiece.
Based on her experience of leaving Mexico for the United States, Morales’ latest offers an immigrant’s tale steeped in hope, dreams, and love.
This story begins with a union between mother and son, with arms outstretched in the midst of a new beginning. Soon after, mother and son step on a bridge, expansive “like the universe,” to cross to the other side, to become immigrants. An ethereal city appears, enfolded in fog. The brown-skinned woman and her child walk through this strange new land, unwilling to speak, unaccustomed to “words unlike those of our ancestors.” But soon their journey takes them to the most marvelous of places: the library. In a series of stunning double-page spreads, Morales fully captures the sheer bliss of discovery as their imaginations take flight. The vibrant, surreal mixed-media artwork, including Mexican fabric, metal sheets, “the comal where I grill my quesadillas,” childhood drawings, and leaves and plants, represents a spectacular culmination of the author’s work thus far. Presented in both English and Spanish editions (the latter in Teresa Mlawer’s translation), equal in evocative language, the text moves with purpose. No word is unnecessary, each a deliberate steppingstone onto the next. Details in the art provide cultural markers specific to the U.S., but the story ultimately belongs to one immigrant mother and her son. Thanks to books and stories (some of her favorites are appended), the pair find their voices as “soñadores of the world.”
A resplendent masterpiece. (author’s note) (Picture book. 4-8)Pub Date: Sept. 4, 2018
ISBN: 978-0-8234-4055-9
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: July 31, 2018
Kirkus Reviews Issue: Aug. 15, 2018
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
