by Jeff Pearlman ‧ RELEASE DATE: Oct. 25, 2016
Though not without its flaws, Pearlman’s book is a complete, satisfying biography of a gunslinger who, for both better and...
A warts-and-all biography of one of the greatest quarterbacks in NFL history.
Brett Favre is an icon in the football world, a player who was almost universally described as a “gunslinger” for his risky, sometimes-reckless, sometimes-inspired style of play. As veteran sports biographer Pearlman (Showtime: Magic, Kareem, Riley, and the Los Angeles Lakers Dynasty of the 1980s, 2014, etc.)—who has made a career of chronicling the vibrant, controversial, and sometimes-unsavory aspects of the NFL’s recent history—shows, the gunslinger mentality extended to Favre’s off-the-field behavior. In the popular imagination, Favre is an aw-shucks good ole’ boy, a small-town Mississippian whose playing style evoked a childlike love for the game. Yet in this more rounded—and some might say prurient—portrait, Favre was a serial philanderer and problem drinker whose well-known problem with painkillers went far deeper than most observers understood. Playing in isolated Green Bay, Wisconsin, meant that a pliable local media most often covered up Favre’s excesses, which almost certainly would have been revealed in a more competitive media market. Pearlman’s writing is brisk and generally readable, though the book is occasionally marred by clunky prose. Furthermore, while biographers should avoid hagiography, one wonders if the depth of exploration of Favre’s faithlessness to his wife, Deanna (who ends up as the story’s martyr), or his sometimes-unkind treatment of his father, Irv, is necessary. The author ends up asserting that Favre was both a football icon and a flawed human being, hardly a revolutionary conclusion. Nonetheless, this is the deepest understanding we are likely to have of Favre for quite some time.
Though not without its flaws, Pearlman’s book is a complete, satisfying biography of a gunslinger who, for both better and worse, was far more complex than most fans have understood.Pub Date: Oct. 25, 2016
ISBN: 978-0-544-45437-8
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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SEEN & HEARD
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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