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ONLY TIME WILL TELL

From the Clifton Chronicles series , Vol. 1

The first book in a new series, a family saga called The Clifton Chronicles, slated to cover 100 years.

It’s 1919, and a young woman named Maisie, on a day’s holiday in Weston-super-Mare, England, determines to lose her virginity while her future husband spends the afternoon at a pub.  And so the subsequent birth of her son Harry raises the first of many questions readers will have little difficulty guessing in advance: Who is Harry’s actual father? Harry is told his father died in the Great War, but he’s skeptical. His subsequent story spins out in a series of overlapping narratives that lead to a great deal of overlapping details, otherwise known as padding. At the age of 12, Harry demonstrates a keen mind and sings with a rare quality. His mother, of little means but great determination, thus resolves to enroll him in public school where he will receive a strong education. At school, Harry befriends the loyal Giles Barrington, the son of wealthy Hugo Barrington, who, for reasons apparent to everyone but Harry, remains aloof, uneasy and guarded around Harry, especially when, a few years later, Harry takes an interest in Hugo’s attractive daughter Emma. Eager to see Harry on to Oxford, Maisie opens a tearoom with great success. In a melodramatic turn—like many here, laid on with a trowel, but with little evocation of time and place—someone burns Maisie’s tearoom to the ground. Maisie suspects Hugo as the culprit and proceeds to blackmail him with information about the fate of her husband. The dastardly Hugo responds to her with a double cross laced with abject physical cruelty. Meanwhile, the Second World War looming, Harry and Emma decide to marry. As they stand before the rector, a guest stands and halts the proceedings. The revelation that follows will elicit few gasps from those who weren’t there that day. For all its considerable girth, remarkably thin.  

 

Pub Date: Sept. 1, 2011

ISBN: 978-0-312-53955-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: July 31, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

Awards & Accolades

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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