A beautifully written tale of the Pacific Northwest, rich with myth and character.
Dunn’s novel chronicles the life of a pirate broadcaster raised in the harsh logging territories of the Pacific Northwest.
The novel begins with a modern version of one of the world’s oldest tales: A baby, abandoned but otherwise healthy, is discovered in a makeshift vessel along the watery shores. Lancelot Aloysius Bauer, better known as Bear, is living in the furthest northwest reaches of Washington state—where he has always lived—working in the logging industry, the only life he has known ever since he was a boy serving as a prep cook for ravenous loggers. One day, while strolling by the shallow waters just off the shore of the Pacific, he discovers a metal drum, and inside it, a lone baby. As simply as that, the care of this child is thrust upon him as if by divine providence. (In a nifty bit of irony in this narrative, which is steeped in the natural environment, the boy is named Petr, after the word on the side of the drum in which he was found: “Petroleum.”) Though Bear is wholly unprepared for fatherhood, his good-hearted attempts to parent do occasionally hit the mark, such as when he purchases Petr a Realtone TR-1088 transistor radio, which fosters the passion that comes to drive Petr’s young life: the medium of radio. As Petr’s fascination grows, he lights out on his own, broadcasting pirate radio waves from the enchanted forests of his native stomping grounds. Meanwhile, Baie, the novel’s other protagonist, is back in the area, fresh from a French monastery and looking to start over after the death of her parents—her story is a surprising but equal counterpart to Petr’s tale.
Dunn’s richly-drawn landscape of the remote stretches of the Pacific Northwest is rife with magic and mysticism, and the sense that larger, more cosmic forces are at play all around us—none more so than the narrator, revealed to be the voice of a sort of mythical raven. (Baie, too, has an animal companion—in her case, a white otter.) Separated as a youth from his flock, the raven is marooned near Mount Olympus and present from the very moment of Petr’s discovery. The raven’s journey inspires some of the author’s best prose: “My skull became a tuner, my beak an antenna, and as I received, I lost my compass. Alive with radio waves, my body skipped off the upper atmosphere. Brilliant as magnesium flame and then black as coal, I tumbled back to earth, vibrating.” Such colorful language abounds in Dunn’s text, and he employs his skills as a poet—he has published several volumes of poetry in addition to novels—to excellent effect to limn the inhabitants of his rich environment, especially when providing brief sketches of childhood (Bear’s, in particular) to contextualize his characters as adults. While the novel may be a touch longer than is strictly necessary, Dunn’s inventive, lush prose and his sense of playfulness between humans and animals (and animals and the Earth) will carry readers through to a satisfying conclusion.
A beautifully written tale of the Pacific Northwest, rich with myth and character.Pub Date: Oct. 10, 2023
ISBN: 9781642280944
Page Count: 404
Publisher: Izzard Ink
Review Posted Online: Jan. 22, 2025
Kirkus Reviews Issue: March 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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