by Jen Arena ; illustrated by Erika Meza ‧ RELEASE DATE: Oct. 15, 2019
A slight effort with minimal cultural references.
It’s bedtime, and Baby isn’t having it. What’s a parent to do?
No problem—just dial up some hip-swaying, foot-moving salsa music! In the kitchen, Mami kicks up her heels with the baby bottle while Papi dances his giggling infant across the living room floor. The exuberant family dog joins in the fun as Papi spins Mami around. Finally, the baby cuddles in Mami’s arms as the dance slows. The salsa lullaby soothes as the baby’s parents tuck their tot in with a stuffed toy. While both child and doggy friend drift off to sleep, they continue following the salsa beat in their dreams. Unfortunately, Arena’s mostly English four-line verses fail to conjure salsa’s infectious beat and bobble a bit in one stanza: “Mami glides across the floor. / Papi sets the pace. / Baby sings la la la, / makes a silly face.” There are only seven Spanish words (not counting “Mami” or “Papi”) in the entire book—one per each two-line, nonrhyming refrain. “Baila, baby, baila. / Dance, dance, dance.” The phrase “Buenas noches” is paired with “Good night!” outside the preceding pattern and rhyme. Meza’s characters present as a loving Latinx family but appear to be dancing swing rather than salsa. A retro boombox is the source of the swirling musical notes and floral designs that also fail to evoke salsa’s spicy tempo. Maurie J. Manning’s Kitchen Dance (2008) is a more authentic choice.
A slight effort with minimal cultural references. (Picture book. 3-5)Pub Date: Oct. 15, 2019
ISBN: 978-0-525-57973-1
Page Count: 32
Publisher: Knopf
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Stephanie Stansbie ; illustrated by Richard Smythe ‧ RELEASE DATE: Dec. 3, 2019
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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by Kelly Starling Lyons ; illustrated by Luke Flowers ‧ RELEASE DATE: March 1, 2016
It’s a bit hard to dance, or count, to this beat.
Dinos that love to move and groove get children counting from one to 10—and perhaps moving to the beat.
Beginning with a solo bop by a female dino (she has eyelashes, doncha know), the dinosaur dance party begins. Each turn of the page adds another dino and a change in the dance genre: waltz, country line dancing, disco, limbo, square dancing, hip-hop, and swing. As the party would be incomplete without the moonwalk, the T. Rex does the honors…and once they are beyond their initial panic at his appearance, the onlookers cheer wildly. The repeated refrain on each spread allows for audience participation, though it doesn’t easily trip off the tongue: “They hear a swish. / What’s this? / One more? / One more dino on the floor.” Some of the prehistoric beasts are easily identifiable—pterodactyl, ankylosaurus, triceratops—but others will be known only to the dino-obsessed; none are identified, other than T-Rex. Packed spreads filled with psychedelically colored dinos sporting blocks of color, stripes, or polka dots (and infectious looks of joy) make identification even more difficult, to say nothing of counting them. Indeed, this fails as a counting primer: there are extra animals (and sometimes a grumpy T-Rex) in the backgrounds, and the next dino to join the party pokes its head into the frame on the page before. Besides all that, most kids won’t get the dance references.
It’s a bit hard to dance, or count, to this beat. (Picture book. 3-5)Pub Date: March 1, 2016
ISBN: 978-0-8075-1598-3
Page Count: 32
Publisher: Whitman
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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