by Jen Bryant ; illustrated by Cannaday Chapman ‧ RELEASE DATE: Nov. 12, 2019
A must-have for those who want children to learn about one of the stage’s greatest bards
One of America’s greatest modern playwrights is introduced to generations of younger readers in this lyrical picture book.
August Wilson, the Pulitzer Prize–winning African American dramatist, is best known for his 10-play Century Cycle, which chronicles the African American experience through different decades in the 20th century. Because his work is targeted toward adults, many young readers might be unfamiliar with Wilson’s life or achievements. Thanks to this timely and elegant picture book, that oversight is now corrected. Conceptually separated into two acts, the book frames Wilson’s life as a play in free-verse form, immersing readers in the Hill District of Pittsburgh, a multiracial enclave where Frederick August Kittel Jr. is raised by his hardworking single mother. Act 1 chronicles Wilson’s search for his name and voice, and Act 2 showcases his extraordinary life’s work of using them to bring the African American experience to the stage. The book’s primary goal may be to present Wilson’s life, but it is also an eloquent love letter to literature and a celebration of its power to inspire, to instruct, and to provide hope, guidance, and direction. Bryant’s accomplished free verse and newcomer Chapman’s evocative, realistic illustrations operate in perfect synergy, celebrating the genius of Wilson the playwright while never losing sight of the complications, hardships, and imperfections of Wilson the man.
A must-have for those who want children to learn about one of the stage’s greatest bards . (Picture book/biography. 6-9)Pub Date: Nov. 12, 2019
ISBN: 978-1-4197-3653-7
Page Count: 48
Publisher: Abrams
Review Posted Online: Sept. 28, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Ruby Bridges ; illustrated by Nikkolas Smith ‧ RELEASE DATE: Sept. 6, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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