by Jenn Bailey ; illustrated by Mika Song ‧ RELEASE DATE: March 19, 2024
A simple but engaging slice-of-life story.
Henry is excited—and a bit worried—about Classroom Ten’s trip to the museum.
Henry, a young boy coded as neurodivergent, has never been to the museum, but it has dinosaurs, which he loves. His teacher gives the class three rules. First, stay with their adult field trip helper. Second, return to the bus by three o’clock. Third— But just as she’s telling them the third rule, the bus pulls up, and Henry doesn’t hear what she says. At the museum, Henry’s assigned parent helper asks his group of three students what they want to see. One student says “moon rocks,” so it’s off to the Rock Room. The other student says “bugs,” so that’s their next stop. Henry wants to say “dinosaurs,” but the word keeps getting stuck in his throat. Finally, Henry shouts his request. The group searches but instead finds a bone room with a friendly scientist, who, after letting them take part in a mini-dig, leads them to the huge dinosaur room. Back on the bus, Henry’s friend asks if he followed the third rule and found something new; after some thought, Henry realizes that he has. This quiet but perceptive tale follows young Henry as he discovers the world at his own pace and reacts in his own, charming way (in the dinosaur room, Henry wraps his arms around himself so all the “happy” doesn’t “slip away”). Interspersed throughout are graceful watercolor-and-ink illustrations, mostly black and white, with pops of green. Henry is cued Asian; his class is diverse.
A simple but engaging slice-of-life story. (Early chapter book. 4-8)Pub Date: March 19, 2024
ISBN: 9781797213903
Page Count: 56
Publisher: Chronicle Books
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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