Next book

WE GOT THE BEAT

A textured high school rom-com that serves up a lot of heart.

After being assigned the volleyball beat, an aspiring journalist must confront her history with the team captain.

Jordan Elliot, a white-coded lesbian high school junior who self-identifies as fat, takes her work on the school paper very seriously, even when she doesn’t get the editorship she wanted. Being forced to spend time with the former friend who betrayed her—Mackenzie West, with her “summer-tanned skin and blonde hair that fell down her back in perfect waves”—is harder to swallow. But with her friends’ support, Jordan commits to writing the best articles she can about both the volleyball team and Mack. As she and Mack hang out, talking through how and why Mack hurt her, Jordan’s romantic feelings are revived. If they’re going to truly move on, though, Jordan must first confront her fear of rejection. The characters display an intriguing balance of endearing qualities and flaws that together add to the emotional impact of their choices. Jordan’s genuine love for her friends and their hilarious banter further flesh out their world, making the non-romantic sections as enjoyable as the flirting and heart-to-hearts that Jordan and Mack share. Queer characters both exist casually and get to have their unique experiences highlighted, and Jordan’s existence as a fat person is explored in ways that inform her personality and highlight her insecurities without becoming the entirety of who she is.

A textured high school rom-com that serves up a lot of heart. (Romance. 13-18)

Pub Date: Feb. 20, 2024

ISBN: 9780063243385

Page Count: 352

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Nov. 17, 2023

Kirkus Reviews Issue: Dec. 15, 2023

Next book

INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 41


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2014


  • New York Times Bestseller

Next book

WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

Awards & Accolades

Likes

  • Readers Vote
  • 41


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2014


  • New York Times Bestseller

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

Close Quickview