At times a difficult read, but the humanity and McNeil’s indomitable spirit shine through.
Helderman chronicles a woman’s journey from battered wife to advocate for victims of spousal abuse in this nonfiction work.
Two quotes set the stage for this well-researched narrative that puts a human face on an all-too-common issue. The first comes from Ginger McNeil, who tells the author, “I lived in a cabin in the woods, too poor to afford electricity, and too afraid of my husband to leave.” The second comes from Ginger’s husband, Mike, who, matter-of-factly and without remorse, comments: “One time I hauled off and slapped the fool out of her….Men will understand….I wouldn’t change a thing if I could go back.” Hearing these words, the author, then on assignment to write a magazine piece about poverty in Alabama, switched her focus to McNeil and her story. In this book, she reports with a journalist’s keen eye and ear for the telling detail and quote: “I noticed her when she came in the door,” says a county clerk worker, recalling Ginger years later. “She looked broken down, like an old hollow-eyed woman in a faded cotton print dress. I could see she was frightened to death.” The author notes that the family lived remotely, like pioneers or survivalists; “He chose this way of life for us,” McNeil explains. In Helderman’s telling, McNeil’s fraught exit from her marriage (a scene in which her husband shows up at a court hearing and hands her a picture of their dead son, a suicide victim, is chilling) feels like a hard-won triumph. The author does give Mike—now deceased—the opportunity to tell his side (“It wasn’t all bad. Ginger and me”). Though those encounters thrum with the tension of possible threats to her own safety, she does an admirable job of presenting his perspective without resorting to “gotcha” questions. But the narrative is rooted in McNeil’s bravery and her determination to tell her story as repayment to the women’s shelter workers who aided her. This is an updated version of Helderman’s award-winning 2010 book.
At times a difficult read, but the humanity and McNeil’s indomitable spirit shine through.Pub Date: May 2, 2023
ISBN: 9781950495337
Page Count: 380
Publisher: Lucid House Publishing LLC
Review Posted Online: May 30, 2023
Kirkus Reviews Issue: July 15, 2023
Review Program: Kirkus Indie
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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