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WHAT A SONG CAN DO

Name: WHAT A SONG CAN DO
Author: Jennifer Armstrong
ISBN: 0-375-82499-5

TWELVE RIFFS ON THE POWER OF MUSIC

edited by Jennifer Armstrong ‧ RELEASE DATE: June 8, 2004

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Alas, this collection does not sing. Like many anthologies built around a theme, most of these stories have a manufactured air—the music inserted like a clause in a narrative sentence. There are some bright notes, however. Ron Koertge’s opening story offers his usual wry look inside the heads of a handful of teens in the high school band—who they are and why they play the instruments they chose—each sketched for a full beat. Dian Curtis Regan’s story illuminates synesthesia—hearing music in colors, two senses colliding. Ann Manheimer’s “Riffs” is a children-of-Holocaust-survivors story where music is only the McGuffin; David Levithan limns a tender gay love story in lyrics in the tale that gives the anthology its title. The Rom (Gypsies), the album Buena Vista Social Club, and the Civil War figure in various tales to musical accompaniment. Minor, but you can occasionally dance to it. (Short stories. 10+)

Pub Date: June 8, 2004

ISBN: 0-375-82499-5

Page Count: 224

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
ONCE UPON A BANANA
by Jennifer Armstrong & illustrated by David Small

- BOOK REVIEW
THE AMERICAN STORY
by Jennifer Armstrong & illustrated by Roger Roth

- BOOK REVIEW
MAGNUS AT THE FIRE
by Jennifer Armstrong & illustrated by Owen Smith

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A YEAR DOWN YONDER

From the Grandma Dowdel series , Vol. 2

by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000

Year-round fun.

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Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”

This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”

Year-round fun. (Fiction. 11-13)

Pub Date: Oct. 1, 2000

ISBN: 978-0-8037-2518-8

Page Count: 144

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2000

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
THE BEST MAN
by Richard Peck

- BOOK REVIEW
THE MOUSE WITH THE QUESTION MARK TAIL
by Richard Peck ; illustrated by Kelly Murphy

- BOOK REVIEW
SECRETS AT SEA
by Richard Peck illustrated by Kelly Murphy

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THE SCHOOL STORY

by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001

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A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)