Belle (Little Stalker, 2007, etc.) has once again invented a hilarious heroine, one who manages to be far more memorable...
Successful Manhattan Mom’s best-laid plans go haywire after she loses her Wall Street job.
Getting laid off is bad enough, but financial planner Isolde Brilliant finds it particularly galling that she will now have to spend more time with husband Russell. Brutally honest and a little outrageous—she loves the smell of her baby son’s dirty diapers and dreams of sex with the grim reaper—Isolde has grown increasingly disillusioned with marriage. Russell, a hapless man-child ambivalent about fatherhood, runs a tiny, unprofitable publishing business out of their Tribeca apartment and has no qualms about his wife footing the bill for their lifestyle. On the day their son Duncan turns one, she catches him telling one of his authors that having a child was a mistake and joking about suicide. That same week her nanny quits, forcing her to find a replacement quickly, while she decides on her next career move. She hires Shashti, an illegal Guyanese immigrant who is married but unhappily childless at age 40. Isolde takes it upon herself to get Shashti pregnant, sending (and treating) her nanny to the expensive OB-GYN she used to birth Duncan. Not surprisingly, the lines between employee and employer blur, as Isolde begins to wonder if interfering in enigmatic Shashti’s life is really a good idea. Enter Gabe Weinrib, a handsome, quirky multimillionaire from her past who has decided that, married or not, Izzy is the woman for him. She’s mightily tempted, wondering if Gabe is the love of her life, a love she would be foolish to let slip away. The fact that Russell comes across as a total putz should make Isolde’s ultimate decision a little easier, but an unexpected development complicates everything.
Belle (Little Stalker, 2007, etc.) has once again invented a hilarious heroine, one who manages to be far more memorable than the plot.Pub Date: May 13, 2010
ISBN: 978-1-59448-755-2
Page Count: 336
Publisher: Riverhead
Review Posted Online: Dec. 14, 2010
Kirkus Reviews Issue: March 1, 2010
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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