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NEARLY EXACTLY ALMOST LIKE ME

A sweet exploration of the familial similarities that matter.

Dev, who was adopted, may not resemble his big sibling, but there’s plenty that the two do share.

As the older child, who narrates, waits in line for the ice cream truck, Dev joins his big sibling. “No cuts!” says another kid. “He’s my brother,” replies the protagonist, but the other kid looks skeptical. “We don’t share the same skin color, plus my hair is curly and his is not.” But, as the narrator informs readers, the two have many commonalities. Their parents eagerly awaited both children’s arrival; the accompanying illustrations depict them gazing at an ultrasound image of the unborn protagonist and at photos of Dev as a baby just before they traveled overseas to bring him home. Both took swim classes as babies, threw up on the rug after overeating on Valentine’s Day, and adore their trampoline. Without lingering on or dismissing how hurtful it can be to have adoptive relationships questioned, especially when one doesn’t look like one’s adoptive family, the story focuses on the siblings’ loving bond. AuYeung’s expressive illustrations cleverly work with the narrative to show how the children differ while highlighting how much they have in common. The children’s mother is brown-skinned, their father presents East Asian, the protagonist is biracial, and hints in the text and art suggest that Dev is of South Asian descent.

A sweet exploration of the familial similarities that matter. (Picture book. 3-7)

Pub Date: Feb. 11, 2025

ISBN: 9781481417679

Page Count: 40

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: Oct. 25, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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