A masterful profile of a most consequential American.
The first full-length biography of the 20th century's free market champion.
To call this book merely a biography of Milton Friedman (1912-2006) is a disservice. It would be difficult to imagine a more comprehensive portrait of the influences, hard economics, and personal struggles and triumphs that shaped his life. From Friedman’s upbringing in New Jersey as the son of Jewish immigrants to his work on economic policy in the federal government during the New Deal, his scholarship at the University of Chicago, and the Nobel Prize in economics, Stanford history professor Burns sets Friedman's story within the context of the evolution of 20th-century economic theories and the individuals who influenced them, including luminaries such as John Maynard Keynes and Friedrich Hayek. The author examines Friedman's work with the concepts of monetarism, price theory, and free market capitalism; his conservatism and reliance on tradition and first principles in the development of new economic interpretations; and his association with the American conservative political movement. Burns briefly touches on Friedman's popular TV series Free to Choose, which gave him an even wider audience. The program, notes the author, “proved a major platform for Friedman’s views, dovetailing with the emergent anti-government, tax-cutting sentiment the Reagan campaign was built on.” Burns also delivers a wonderful profile of the central figure in Friedman's life, his wife, Rose, a formidable intellect and economist in her own right, in addition to discussing the role several other women economists played in his career. The author is evenhanded throughout and unafraid to critique. Her analysis of Friedman's work and interests, the descriptions of his wrangles with antisemitism, and her exploration of the role of women in the field of economics are sharp and illuminating. The book, both demanding and thorough, is not for casual readers, but it is required reading for anyone interested in the history of academic and applied economics, the principles of free market capitalism, and one of its most celebrated defenders.
A masterful profile of a most consequential American.Pub Date: Nov. 14, 2023
ISBN: 9780374601140
Page Count: 592
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 20, 2023
Kirkus Reviews Issue: July 15, 2023
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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