Want to end the war to end all wars? Put a mountaineer—and a woman mountaineer—to the task.
Willa Alden isn’t just any mountaineer, at least not by genre novelist Donnelly’s account. In a thick, overly long narrative peopled by a few returnees from The Winter Rose (2008, etc.), Willa is a standout, admirable in her many strengths. But then, just about everyone in this story is strong in his or her own métier, from Winston Churchill to charm-the-pants-off-anyone Kaiserian spy Max von Brandt. Heck, even the Dalai Lama is a brick—and a pal of Willa’s, natch, who “on occasion…would drink with her, sing Tibetan songs with her, and swap bawdy stories.” But all these are wimps next to Willa’s true amour, Seamus Finnegan, fearless polar explorer and breathless lover, who has gotten himself into countless scrapes with her and left her wanting only once, and then by way of something in a limb. (You’ll have to read the book for the details.) “You’re a very dashing figure, you know,” says one admirer of Seamie’s. “You’ve achieved so much, done so many amazing things.” Seamie knows, yet the one thing he wants eludes him. Meanwhile, old Max is up to no good, for these, after all, are the stirring years of World War I, and his job is to embarrass smarty-pants Britons and exalt Teutons everywhere. By the end of this endless exercise in historical fiction, one that gets all the details right except the way people spoke to each other a century ago, Max, Seamie and Willa have been replaying the Perils of Pauline in the company of Lawrence of Arabia, a perplexing and improbable turn of events that at least moves the plot along. Thank goodness Willa has picked up conversational Arabic and Turkish along the way. “Jamal Pasha is coming! Jamal Pasha is coming!” But is Max that much a rotter, and Seamie that much a hero? Read this aspirational potboiler and find out. Or not.
Pub Date: Aug. 2, 2011
ISBN: 978-1-4013-0104-0
Page Count: 640
Publisher: Hyperion
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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