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THE BEST AMERICAN SHORT STORIES 2014

Intelligently chosen; essential for students and aspiring writers of fiction as a kind of state-of-the-art (or at least...

The latest installment in a venerable series whose origin stretches back a full century.

In her slender but charming introduction, guest editor and novelist Egan (A Visit from the Goon Squad, 2010, etc.) recalls that she’d been publishing short stories for 21 years “before I managed to eke one into these pages!” Never mind the misuse of “eke”; we know what she means, and the fact is that there’s a lottery aspect to the whole enterprise. It helps to have been published in the New Yorker, as several of these pieces have been; it helps to be Joyce Carol Oates, who appears here, of course, with a story that seems tossed off for her but that would be a major accomplishment for most other writers. Recognizing the “essential arbitrariness” of the honor, then, Egan moves on to select 20 stories that are perfectly exemplary, each in its way. T.C. Boyle does his existential ennui thing with a yarn (from the New Yorker, of course) that hinges on booze, satellites and rancor (“We’d been fighting all day, fighting to the point of exhaustion, and it infuriated me to think she wouldn’t even give me this”). Continuing the boozy theme—writers and their booze!—Ann Beattie serves up a lovely slice of melancholy with a story of a former student bantering with a dying professor (“Enabler? Don’t use phoney words like that”) while puzzling over why her ex-husband happens to be in the bar at the same time. All are serviceable, none bad, but few of the stories are true tours de force, with one notable exception being Lauren Groff’s “At the Round Earth’s Imagined Corners,” the key word being the penultimate one, and Laura van den Berg’s odd, pensive “Antarctica” and its utterly memorable closing line—fittingly, and artfully, the last in the collection.

Intelligently chosen; essential for students and aspiring writers of fiction as a kind of state-of-the-art (or at least state-of-the-trend) snapshot, with a few standouts.

Pub Date: Oct. 7, 2014

ISBN: 978-0-547-86886-8

Page Count: 384

Publisher: Mariner/Houghton Mifflin Harcourt

Review Posted Online: Sept. 8, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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