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GOOD BOY

MY LIFE IN SEVEN DOGS

Intimate and insightful glimpses into Boylan’s life and the dogs that have helped her learn more about love.

A memoir told through the lens of seven canine companions.

Often, it’s difficult to remember all the details of our lives and the people we once were. “But I remember the dogs,” writes New York Times columnist and LGBTQ activist Boylan, who is on the PEN America board of trustees and serves as the inaugural Anna Quindlen writer in residence at Barnard College. In her latest, the author ties each of the seven chapters to a phase of her life and a dog she has loved. The narrative is somewhat chronological, but the dog stories and timelines also skip around a lot, which occasionally becomes disorienting. As in her previous books, Boylan's wry wit, wicked sense of humor, and unique way of turning phrases shine through, and her candor is powerfully therapeutic. Particularly stunning is the section in which she describes her initial reactions when a close family member also came out as trans. However, this book is not a Boylan primer. Readers who have not encountered She’s Not There (2003), her memoir about her transition from male to female, may long for more detail in this book; the author sometimes skims over major life events she has written about elsewhere. But this is about the dogs, and the canine theme emerged from a Times opinion column, in which she wrote about her dog Indigo, that went viral in 2017. Boylan’s stories about each dog—from Playboy to Sausage to Matt the Mutt to Ranger (whose frequent interactions with porcupines “never ended well”)—range from sidesplitting to downright profound, and the author makes a convincing argument for the inherent need for all creatures to be who they truly are. Though the connections between the dogs and Boylan’s life aren’t always obvious, these tales will entertain, endear, and—fair warning—possibly induce a sudden urge to drive to the local animal shelter.

Intimate and insightful glimpses into Boylan’s life and the dogs that have helped her learn more about love.

Pub Date: April 21, 2020

ISBN: 978-1-250-26187-8

Page Count: 288

Publisher: Celadon Books

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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