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CLAUDIA & MOTH

Not a must.

Sometimes only a butterfly will do.

Claudia single-mindedly loves butterflies. She reclines in her room—a thin, smiling white girl in a summery dress—looking up at mobiles of paper butterflies that she cut out herself. Her mother won’t let her bring home a live butterfly from the park, but her father gives her a paint box, and she paints huge, poster-size butterfly portraits. When winter arrives, she despairs: “there was truly nothing left to paint.” Making butterflies in the snow in the park with her pet dog doesn’t compensate. The emergence of a moth from her sweater drawer perks her up, but he’s not quite a butterfly, so she paints him—literally paints his wings to resemble a butterfly’s. When he escapes out the window seeking a streetlight, she’s crushed. She “burst[s] out of the apartment” and recaptures him in the nighttime snow (not exactly plausible, but then neither was painting his wings), finally willing to paint him as the proper moth he is—a portrait, this time. From spot illustrations to full-bleed spreads, Rolli paints in oil on brown paper. At the park in summertime, the brown background feels seasonally off; it’s fine for autumn, but overall, this brown paper feels too earthbound—almost claustrophobic—for an homage to creatures that flutter through the air.

Not a must. (Picture book. 3-5)

Pub Date: Nov. 7, 2017

ISBN: 978-0-425-28833-7

Page Count: 40

Publisher: Viking

Review Posted Online: Aug. 26, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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IF WE WERE DOGS

Perfect for every underdog who wants to have a say.

A dog-loving child encourages a less-than-enthusiastic younger one to imagine they’re both canines.

From the first declaration—“I’d be a big dog! And you’d be a little one!”—readers know who’s calling the shots. Initially, the protagonists cavort off the page and through the neighborhood together, performing doggy capers such as tail wagging, stick carrying, and dirt digging. But by the time they encounter a multitude of like-minded creatures at the dog park, the disgruntled small pup is exhibiting out-and-out rebellion: “Being a dog is YOUR idea! Sometimes I HAVE IDEAS TOO!” The narrative wraps up with the younger child pretending to be a different animal entirely—cleverly foreshadowed through subtle details in the illustrations. Even the endpapers—lively silhouettes of dogs in the beginning and many different animals in closing—extend the theme to suggest the imaginative possibilities of pretend play. Cheerful, lightly hued colors fit the whimsical mood, while expressive body language allows the art to tell the story with a minimum of words. Ending on a surprising note, with a sweet compromise between the two main characters, the tale gives both kids the freedom to embrace their own preferences and styles—while still enjoying their game.

Perfect for every underdog who wants to have a say. (Picture book. 3-5)

Pub Date: Sept. 16, 2025

ISBN: 9780316581721

Page Count: 40

Publisher: Little, Brown

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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