It’s now several months since Boston Jane (Boston Jane: An Adventure, 2001) arrived in Shoalwater Bay, Washington Territory, having traveled from proper Philadelphia to marry William and having found William married to another. She’s no longer puking on board during the long voyage and is resolved to try life on the rough frontier without a chaperone. What Jane needs, though, is more than the ability to bake pies and sew. She just doesn’t see that Jehu of the deep blue eyes loves her or that Mr. Russell of the flea-infested, tobacco-stained wardrobe cares so much about her well-being. And she doesn’t see that the well-dressed, polite Mr. Black, who arrives one morning at the settlement, is a dangerous killer out for revenge against Mr. Russell. Mourning the death of her dear sweet Papa, she resolves to board the next boat for a return trip to Philadelphia. At the very last moment, she turns back and runs after Jehu and Keer-ukso, one of the neighboring Chinook, who have set out to warn Mr. Russell that his life is in danger. He’s gone to a rendezvous between the whites who want all the Indians on a reservation and the Indians who want to continue living on their ancestral homeland. What follows for Jane, Jehu, and Keer-ukso is a perilous trip on water and land, with a snowstorm thrown in for good measure. There’s an exciting combination of danger, humor, misunderstandings, first kisses, and a growing awareness of the goodness of those who happily will be Jane’s territorial neighbors. She won’t return to Philadelphia. True love is here, and proper Miss Sally Biddle of the perfect blond corkscrew curls has arrived from Philadelphia. More to come? We can only hope that the endearing and occasionally improbable adventures of Boston Jane, with their nicely blended mix of real events and characters inspired by actual pioneers, will continue. (Fiction. 10-14)
Pub Date: Sept. 1, 2002
ISBN: 0-06-029043-9
Page Count: 256
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2002
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.
In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.
Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)Pub Date: July 25, 2017
ISBN: 978-0-545-88083-1
Page Count: 352
Publisher: Scholastic
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
PROFILES
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)
Traumatized by his father’s recent death, a boy throws a brick at an old man who collects junk in his neighborhood and winds up on probation working for him.
Pearsall bases the book on a famed real work of folk art, the Throne of the Third Heaven, by James Hampton, a janitor who built his work in a garage in Washington, D.C., from bits of light bulbs, foil, mirrors, wood, bottles, coffee cans, and cardboard—the titular seven most important things. In late 1963, 13-year-old Arthur finds himself looking for junk for Mr. Hampton, who needs help with his artistic masterpiece, begun during World War II. The book focuses on redemption rather than art, as Hampton forgives the fictional Arthur for his crime, getting the boy to participate in his work at first reluctantly, later with love. Arthur struggles with his anger over his father’s death and his mother’s new boyfriend. Readers watch as Arthur transfers much of his love for his father to Mr. Hampton and accepts responsibility for saving the art when it becomes endangered. Written in a homespun style that reflects the simple components of the artwork, the story guides readers along with Arthur to an understanding of the most important things in life.
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)Pub Date: Sept. 8, 2015
ISBN: 978-0-553-49728-1
Page Count: 288
Publisher: Knopf
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
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