Designed to empower, the novel occasionally fails to consider that changing a culture of misogyny requires educating and...
Fed up by her high school’s culture of misogyny, Vivian leads a feminist rebellion.
Staff at Vivian’s school conveniently overlook the demeaning remarks football players and their friends direct at girls, the ongoing hallway sexual harassment of “bump ’n’ grab,” and the annual tournament to identify the “most fuckable” girl on campus. Enraged by the toxic environment, and inspired by 1990s Riot Grrrl culture, Vivian creates an anonymous zine—Moxie—to empower girls. Some of Vivian’s protest ideas are inspired, as when girls wear bathrobes to protest the unfair enforcement of the school’s dress code. Soon Moxie supports such additional projects as girls’ soccer fundraisers, successfully strengthening the school’s sisterhood. But there are troubling moments when Vivian excludes willing male participants, seemingly suggesting that achieving female empowerment requires gender separation. And Moxie moves dangerously toward vigilante justice when it’s used to accuse a student of attempted rape. Vivian’s incensed reaction when her boyfriend suggests the anonymous accuser might be lying ignores the American judicial system’s core tenet of due process. Further, the novel fails to educate readers that qualified police investigators, not school officials, must be alerted in accusations of criminal behaviors.
Designed to empower, the novel occasionally fails to consider that changing a culture of misogyny requires educating and embracing support from members of all genders. (Fiction. 12-18)Pub Date: Sept. 19, 2017
ISBN: 978-1-62672-635-2
Page Count: 336
Publisher: Roaring Brook Press
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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