The first Millie Was Here app (Millie and the Lost Key, 2011) was a giddy mix of plain dog photos, overlaid graphics and...
Canine explorer Millie here builds a time machine to avoid running late with a friend’s birthday gift, but she soon finds herself chased by a baby T-Rex.
The first Millie Was Here app (Millie and the Lost Key, 2011) was a giddy mix of plain dog photos, overlaid graphics and hyperbolic storytelling that made the everyday life of a dog-about-town seem epic. That aesthetic continues here, but it’s been refined. There are still levers, dials, ribbons and springs that beg to be played with on well-built pages. But the story elements themselves have evolved nicely, especially a “Story Switch” feature that adds a reader-selected fork in the road leading to games that are part of Millie’s adventure. The navigation tray that slides up from the bottom of the screen is unobtrusive but genuinely handy. Other extras include a “Bedtime Mode” (which dims the screen and tones down the games) and clear instructions for parents, two app essentials that should be standard across the board. At the end of her first Indiana Jones–inspired adventure, it wasn’t clear whether her appeal would wear thin, but this latest story shows she’s still a great canine companion. Even the short video clips of Millie do not diminish the series’ homespun, handcrafted feel or lessen its playful touch. Millie’s misadventures could continue indefinitely if the exuberant storytelling and attention to detail hold to this level of quality. She’s a good dog with a great set of apps. (iPad storybook app. 4-8) .Pub Date: Sept. 12, 2013
ISBN: N/A
Page Count: -
Publisher: MegaPops
Review Posted Online: Nov. 1, 2013
Kirkus Reviews Issue: Nov. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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