This debut novel from Crucet (How to Leave Hialeah, 2009) heralds the birth of a talented novelist to watch.
Lizet Ramirez, the first in her Cuban immigrant family to attend college, must learn to navigate academia’s culture of privilege alone as her family breaks apart.
It's Thanksgiving Day 1999. Overwhelmed with the microaggressions inherent in being one of the few nonwhite students at an elite East Coast university, Lizet saves her work-study wages for a surprise trip home to Little Havana, Florida, to see her family. But this is also the same day that Ariel Hernandez, a 5-year-old Cuban boy who saw his mother die on a raft as they escaped to America, arrives in the state. Advocating for Ariel’s well-being quickly becomes Lizet’s mother’s raison d’être. The twin narratives play off each other in a masterful way: the battle for Ariel to remain in America echoes Lizet’s own story of the breakup of her family and her formation of identity on an epic scale. Here, perfectly articulated through Lizet, is the experience of being a first-generation child of immigrants in America—the lack of cultural capital, the casually racist comments of fellow students, the facade of campus diversity. “I’d yet to see a Latino professor on the Rawlings campus, though I knew from pictures in the school’s guidebook that there were a few somewhere,” Lizet wistfully notes. Here, too, is worldbuilding at its finest—Crucet crafts a rich setting and supporting characters to go along with her astute cultural analysis. Yet, while it's clear what Lizet doesn’t want—expulsion, her boyfriend—what she wants is less clear. Perhaps this is the point; she's a college freshman. But above all, in Lizet's story, we have a thrilling, deeply fulfilling journey of a young woman stepping into her own power.
This debut novel from Crucet (How to Leave Hialeah, 2009) heralds the birth of a talented novelist to watch.Pub Date: Aug. 4, 2015
ISBN: 978-1-250-05966-6
Page Count: 400
Publisher: St. Martin's
Review Posted Online: May 12, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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