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THE LION AND THE MOUSE

Name: THE LION AND THE MOUSE
Author: Jenny Broom
ISBN: 978-0-7636-6619-4

by Jenny Broom ; illustrated by Nahta Nój ‧ RELEASE DATE: April 22, 2014

Almost too squeaky-clean to be much fun.

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A lackluster take on the well-worn Aesop’s fable that does not stand up as well as other picture-book interpretations, notably Jerry Pinkney’s masterful wordless version.

In an uncharacteristic display of empathy, rather than playing along with the mouse’s attempt at negotiation, the lion refrains from eating the hungry mouse and helps him to get the juicy berries he desires. The mouse’s promise to return the favor materializes when hunters come in the night and trap the unsuspecting lion in a net. Naturally, the mouse frees the lion by gnawing away the strings of the net. No surprises here: Lion and mouse become BFFs. Nój’s textured cut-paper collage with some subtle die cuts enliven the rather ho-hum text and are cleanly executed. However, the highly stylized nature of the collage makes the lion’s shape more than a little odd in some of the illustrations. The style is so tight and formal that some of the shapes are hard to read, particularly when presented in silhouette. However there are creative touches, such as the die-cut footprints that represent the hunters, making drawing them unnecessary. Paper collage need not be as unforgiving as it is here; some of the figures have the look of Lego blocks and may be hard for young children to interpret.

Almost too squeaky-clean to be much fun. (Picture book. 2-4)

Pub Date: April 22, 2014

ISBN: 978-0-7636-6619-4

Page Count: 32

Publisher: Templar/Candlewick

Review Posted Online: Feb. 4, 2014

Kirkus Reviews Issue: Feb. 15, 2014

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
ANIMALIUM
by Jenny Broom ; illustrated by Katie Scott

- BOOK REVIEW
WALK THIS WORLD
by Jenny Broom ; illustrated by Lotta Nieminen

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IN THE WIND

by Elizabeth Spurr ; illustrated by Manelle Oliphant ‧ RELEASE DATE: March 1, 2016

A gentle outing for children who are ready for stories of everyday life rather than just objects to name.

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A brief rhyming board book for toddlers.

Spurr's earlier board books (In the Garden and At the Beach, both 2012; In the Woods, 2013) featured an adventuresome little boy. Her new slice-of-life story stars an equally joyful little girl who takes pleasure in flying a new kite while not venturing far off the walkway. Oliphant's expressive and light-filled watercolors clearly depict the child's emotions—eager excitement on the way to the park, delight at the kite's flight in the wind, shock when the kite breaks free, dejection, and finally relief and amazement. The rhymes work, though uneven syllable counts in some stanzas interrupt the smooth flow of the verse. The illustrations depict the child with her mass of windblown curls, brown skin, and pronounced facial features as African-American. Her guardian (presumably her mother) is also brown-skinned. It is refreshing to see an African-American family settled comfortably in a suburban setting with single-family homes and a park where the family dog does not need to be leashed.

A gentle outing for children who are ready for stories of everyday life rather than just objects to name. (Board book. 2-4)

Pub Date: March 1, 2016

ISBN: 978-1-56145-854-7

Page Count: 22

Publisher: Peachtree

Review Posted Online: March 1, 2016

Kirkus Reviews Issue: July 1, 2016

Categories:

CHILDREN'S GENERAL CHILDREN'S | CHILDREN'S SCIENCE & TECHNOLOGY

- BOOK REVIEW
IN THE RAIN
by Elizabeth Spurr ; illustrated by Manelle Oliphant

- BOOK REVIEW
IN THE SNOW
by Elizabeth Spurr ; illustrated by Manelle Oliphant

- BOOK REVIEW
AT THE BEACH
by Elizabeth Spurr ; illustrated by Manelle Oliphant

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GOODNIGHT, NUMBERS

by Danica McKellar ; illustrated by Alicia Padrón ‧ RELEASE DATE: March 7, 2017

The joys of counting combine with pretty art and homage to Goodnight Moon.

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This bedtime book offers simple rhymes, celebrates the numbers one through 10, and encourages the counting of objects.

Each double-page spread shows a different toddler-and-caregiver pair, with careful attention to different skin tones, hair types, genders, and eye shapes. The pastel palette and soft, rounded contours of people and things add to the sleepy litany of the poems, beginning with “Goodnight, one fork. / Goodnight, one spoon. / Goodnight, one bowl. / I’ll see you soon.” With each number comes a different part in a toddler’s evening routine, including dinner, putting away toys, bathtime, and a bedtime story. The white backgrounds of the pages help to emphasize the bold representations of the numbers in both written and numerical forms. Each spread gives multiple opportunities to practice counting to its particular number; for example, the page for “four” includes four bottles of shampoo and four inlaid dots on a stool—beyond the four objects mentioned in the accompanying rhyme. Each home’s décor, and the array and types of toys and accoutrements within, shows a decidedly upscale, Western milieu. This seems compatible with the patronizing author’s note to adults, which accuses “the media” of indoctrinating children with fear of math “in our country.” Regardless, this sweet treatment of numbers and counting may be good prophylaxis against math phobia.

The joys of counting combine with pretty art and homage to Goodnight Moon. (Picture book. 2-4)