Han’s impressive ear for and pitch-perfect reproduction of the interactions between not-quite-adult older teens make this an...
Can teenage love ever be forever?
Isabel (Belly) from The Summer I Turned Pretty (2009) and It’s Not Summer Without You (2010) finishes up her freshman year at college somewhat unconvincingly committed to Jeremiah Fisher, one of the two brothers with whom she has spent summers since she was small. Isabel becomes furious to learn that Jeremiah had sex with another girl from their college in Cabo on spring break, but he wins back her affections with a grand gesture: a proposal of marriage. Caught up in the idea—she will plan a summer wedding! they will attend college as a married couple!—Isabel tries ignores her misgivings about Jeremiah, the appalled silence of her mother and her own still-strong feelings for Jeremiah’s older brother, Conrad. It’s both funny and believable when Jeremiah insists he wants to dance the wedding dance to “You Never Can Tell” from the Pulp Fiction soundtrack. Han gives a satisfying nod to wedding-planning fantasies even while revealing their flimsy basis for an actual marriage. A final chapter in 23-year-old Isabel’s voice reveals the not-so-surprising happy ending.
Han’s impressive ear for and pitch-perfect reproduction of the interactions between not-quite-adult older teens make this an appealing conclusion to this trilogy romance among bright middle-class young people. (Fiction. 12 & up)Pub Date: May 3, 2011
ISBN: 978-1-4169-9558-6
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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