Screenwriter Tripp’s Disney-esque debut pairs an aging circus poodle and a huge, unhappy bear. Pete, aka Pierre LeChien—“But if you call me Powder Puff, I just might take a piece out of your pants”—is proud to be top dog in Monsieur Moliere’s Performing Pups. That pride takes a hard fall when he’s demoted to the job of Canine Cannonball after twice muffing his old act. But he bounces back with a new plan when Fremont, a hostile, uncooperative young grizzly, is brought in to spice up the “wild” animal show, and shows an unexpected knack for juggling. Can the two whip up a new act that will both revive Pete’s career and keep Fremont out of the zoo? Do you doubt? Manders’s animated, Bill Peet–style illustrations reflect the doggy briskness of Pete’s narrative voice and capture the small-circus setting nicely. Despite their eventual triumph, Pete comes to realize that Fremont will never be happy under the Big Top, and so with help from the circus’s other animal performers, engineers his escape back to the wild. A heartwarming tale of interspecies bonding; you can almost hear the soundtrack. (Fantasy. 9-11)
Pub Date: May 1, 2007
ISBN: 978-0-15-205629-2
Page Count: 192
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
BOOK REVIEW
Though it lacks nuance, still a must-read.
Tyler is the son of generations of Vermont dairy farmers.
Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.
Though it lacks nuance, still a must-read. (Fiction. 9-11)Pub Date: Jan. 13, 2009
ISBN: 978-0-375-85838-3
Page Count: 240
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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