An absorbing and sobering reckoning with all-too-familiar disasters, both personal and planetary.
A Swedish family struggles to cope with climatological disaster.
The von der Esch family—father Didrik, mother Carola, teen daughter Vilja, little brother Zack, and baby Becka—evacuate their summer house in Dalarna as global warming–generated wildfires rage out of control. The author shifts between various family members and characters in their orbit to give first-person accounts of the chaotic aftermath, during which the family is separated (wounded Zack goes off with strangers with a working car; Didrik takes the vulnerable Becka on a crowded train back to Stockholm; Carola and Vilja make their way to an ad hoc refugee camp) and attempts to survive the crisis and hopefully reunite after the worst has passed. The action of the novel is tense, as the oppressive heat, lack of basic resources, and crumbling social contract threaten to overwhelm the embattled clan, but the strongest elements of the narrative are the depth and nuance of the characters’ inner monologues. Didrik, a somewhat pompous PR exec, experiences the catastrophe as a test of his masculinity. Vilja, characterized as selfish and bratty by her father, displays remarkable courage and maturity in navigating the fraught environment of the camp. Didrik’s mistress, Melissa, an ostensibly vacuous social media influencer safely ensconced in a luxury apartment in Stockholm, leads a rich inner life revolving around her pill addiction and borderline sociopathic manipulativeness. André, the teenage son of the tennis legend whose apartment Melissa is housesitting, drowns in insecurities and resentment as he embarks on an ill-advised nautical adventure. A sense of apocalyptic doom throws the relatively petty concerns of the characters into sharp relief even as their humanity is affirmed by the author’s careful attention to their quirks and unique perspectives. There are no villains here aside from climate change—an outward manifestation and inevitable consequence of the self-destructive impulses so relatably embodied by Liljestrand’s cast of haplessly civilized refugees.
An absorbing and sobering reckoning with all-too-familiar disasters, both personal and planetary.Pub Date: May 9, 2023
ISBN: 9781668005019
Page Count: 448
Publisher: Scout Press/Simon & Schuster
Review Posted Online: Feb. 23, 2023
Kirkus Reviews Issue: March 15, 2023
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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