by Jeremy de Quidt ‧ RELEASE DATE: July 25, 2017
Invites imaginations to run wild with petrifying preternatural possibilities.
A short story collection framed by the tale of a boy who catches the wrong train.
In this British import, a boy runs to catch his train only to find that he’s gotten on the wrong one. In a panic, he gets off at the lonely first stop. While he waits for the return train, an old man and his dog join the boy, and the old man decides to keep the boy company and entertain him with stories. After the first horror story, the boy has had enough, but the man pushes forward with more, and the boy, stuck in the dark, has no choice but to listen. The eerie, atmospheric setup will likely deter those who do not enjoy horror, and should that fail, the twist at the end of the first story will, leaving the rest of the book for connoisseurs of the genre. The supernatural horrors range in subject matter (monsters, haunted cars, and a whole menagerie of dreamlike impossibilities) as well as in length, structure (single-scene vignettes and traditional stories), and back story (with many resolutions simply unexplainable but unpleasant—don’t expect any happy endings here). In between, the boy and the man talk—these launch pads for the stories get quite repetitive, but the framing device comes into play for one last twist. Physical and racial descriptors are generally absent.
Invites imaginations to run wild with petrifying preternatural possibilities. (Short stories/horror. 10-14)Pub Date: July 25, 2017
ISBN: 978-1-338-12125-4
Page Count: 224
Publisher: David Fickling/Scholastic
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
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BOOK REVIEW
by Jeremy de Quidt & illustrated by Gary Blythe
by Rae Carson ‧ RELEASE DATE: Sept. 1, 2011
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Rae Carson
BOOK REVIEW
by Rae Carson
BOOK REVIEW
by Rae Carson
by Leza Lowitz ‧ RELEASE DATE: Jan. 12, 2016
It’s the haunting details of those around Kai that readers will remember.
Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.
With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.
It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)Pub Date: Jan. 12, 2016
ISBN: 978-0-553-53474-0
Page Count: 272
Publisher: Crown
Review Posted Online: Sept. 15, 2015
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