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WINTER CANDLE

The story’s acknowledged tidiness facilitates its reassuring theme of neighborly sharing and assistance and makes it easily...

Light symbolizes hope, and festivals incorporating light and candles are found in many cultures, especially during winter.

Ashford uses a single candle to weave a story of intergenerational and multicultural friendship. On Thanksgiving, Nana Clover realizes that she doesn’t have a candle for her table and asks the super for one. Later, another family doesn’t have a special braided havdalah candle to mark the Jewish Sabbath’s end and borrows the half-used candle from Nana Clover. A few days later, the Ericksons find that one of the candles on their Saint Lucia crown is broken. They ask the Danzigers, and the same little candle continues its trip. The African-American family in 5A celebrating Kwanzaa needs the candle next, because the baby has eaten one of the seven candles for the kinara. Finally, a winter storm causes a power outage, and Nasreen and Faruq, who have just moved in, are concerned that their father won’t find the building. Their mom suggests borrowing a candle from their neighbors, and the stubby piece of wax lights their father’s way. Soon, all the neighbors join in to welcome the new family. The richly textured paintings highlight the glow of the small candle; the family portraits, too, glow with warmth. An author’s note provides a brief overview of each celebration.

The story’s acknowledged tidiness facilitates its reassuring theme of neighborly sharing and assistance and makes it easily adaptable to a wide variety of settings. (Picture book. 5-8)

Pub Date: Nov. 11, 2014

ISBN: 978-1-939547-10-1

Page Count: 32

Publisher: Creston

Review Posted Online: July 21, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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RED AND LULU

A touching, beautifully illustrated story of greatest interest to those in the New York City area.

A pair of cardinals is separated and then reunited when their tree home is moved to New York City to serve as the Rockefeller Center Christmas tree.

The male cardinal, Red, and his female partner, Lulu, enjoy their home in a huge evergreen tree located in the front yard of a small house in a pleasant neighborhood. When the tree is cut down and hauled away on a truck, Lulu is still inside the tree. Red follows the truck into the city but loses sight of it and gets lost. The birds are reunited when Red finds the tree transformed with colored lights and serving as the Christmas tree in a complex of city buildings. When the tree is removed after Christmas, the birds find a new home in a nearby park. Each following Christmas, the pair visit the new tree erected in the same location. Attractive illustrations effectively handle some difficult challenges of dimension and perspective and create a glowing, magical atmosphere for the snowy Christmas trees. The original owners of the tree are a multiracial family with two children; the father is African-American and the mother is white. The family is in the background in the early pages, reappearing again skating on the rink at Rockefeller Center with their tree in the background.

A touching, beautifully illustrated story of greatest interest to those in the New York City area. (author’s note) (Picture book. 5-8)

Pub Date: Sept. 19, 2017

ISBN: 978-0-7636-7733-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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MAI'S ÁO DÀI

Thoughtful and joyful.

A child of Vietnamese descent fantasizes about the perfect outfit for Tết.

One night, Mai dreams about being a big “STAAAAAAR” and fielding questions on the red carpet. Mai’s literal dream dress is a sparkly silver ballroom gown with a sweetheart cut. After waking up, the child is eager to tell Ba all about it, but first it’s time to get ready. It’s the first day of Tết, or Lunar New Year, and the family plans to celebrate at Mai’s grandmother’s house. Though Mai loves visiting Bà Nội, the child balks at donning the áo dài, a Vietnamese outfit consisting of a tunic worn over trousers. “Stars wear dresses and gowns,” Mai tells Ba. But Ba shows Mai the family photo album, explaining that Bà Nội had her own sewing school in Vietnam and that her students lovingly dubbed her the “Queen of Áo Dài.” To keep their traditions alive when the family emigrated, Bà Nội continued to make áo dài for her loved ones, and the children learned to sew them as an expression of love. Finally, with a newfound appreciation for the garment, Mai greets Bà Nội with a hug, clad in a customized áo dài made by Ba. Told entirely through naturally expressed and well-paced dialogue and accompanied by vividly textured illustrations, this is a loving tale of a family finding a creative way to reshape a beloved tradition.

Thoughtful and joyful. (glossary, “let’s design our own áo dài” activity) (Picture book. 5-8)

Pub Date: Jan. 7, 2025

ISBN: 9781665917346

Page Count: 40

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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