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MILKWEED

When the reader first meets the narrator of this tale, he knows himself only as “Stopthief.” He is a Warsaw street orphan, without morals, without culture, without community—until Uri takes him in to join his pack of fellow orphans, all Jews. Life is good for the newly renamed Misha, until the Jackboots arrive and force him and his fellow orphans into the ghetto, where life becomes increasingly more desperate and community—both that of the orphans and of Janina, a little girl whose family he adopts—increasingly necessary. Spinelli’s choice of narrator is a masterstroke. Because Misha has no sense of anything except his own immediate needs and desires, he has no urge to explain the bizarre and fundamentally irrational events that befall him. He simply reports graphically, almost clinically, on the slow devastation of the Jews of Warsaw and on the changes in his own relationships, to friends and world, brought about by the experience. His own psychological and social growth is almost lost on the reader until a coda, that still makes no attempt to explain, finally finds him at peace. Stunning. (Fiction. 9-14)

Pub Date: Sept. 9, 2003

ISBN: 0-375-81374-8

Page Count: 224

Publisher: Random House

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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THE LOUD SILENCE OF FRANCINE GREEN

It’s 1949, and 13-year-old Francine Green lives in “the land of ‘Sit down, Francine’ and ‘Be quiet, Francine’ ” at All Saints School for Girls in Los Angeles. When she meets Sophie Bowman and her father, she’s encouraged to think about issues in the news: the atomic bomb, peace, communism and blacklisting. This is not a story about the McCarthy era so much as one about how one girl—who has been trained to be quiet and obedient by her school, family, church and culture—learns to speak up for herself. Cushman offers a fine sense of the times with such cultural references as President Truman, Hopalong Cassidy, Montgomery Clift, Lucky Strike, “duck and cover” and the Iron Curtain. The dialogue is sharp, carrying a good part of this story of friends and foes, guilt and courage—a story that ought to send readers off to find out more about McCarthy, his witch-hunt and the First Amendment. Though not a happily-ever-after tale, it dramatizes how one person can stand up to unfairness, be it in front of Senate hearings or in the classroom. (author’s note) (Fiction. 10-14)

Pub Date: Aug. 14, 2006

ISBN: 0-618-50455-9

Page Count: 240

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2006

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PRIVATE PEACEFUL

From England’s Children’s Laureate, a searing WWI-era tale of a close extended family repeatedly struck by adversity and injustice. On vigil in the trenches, 17-year-old Thomas Peaceful looks back at a childhood marked by guilt over his father’s death, anger at the shabby treatment his strong-minded mother receives from the local squire and others—and deep devotion to her, to his brain-damaged brother Big Joe, and especially to his other older brother Charlie, whom he has followed into the army by lying about his age. Weaving telling incidents together, Morpurgo surrounds the Peacefuls with mean-spirited people at home, and devastating wartime experiences on the front, ultimately setting readers up for a final travesty following Charlie’s refusal of an order to abandon his badly wounded brother. Themes and small-town class issues here may find some resonance on this side of the pond, but the particular cultural and historical context will distance the story from American readers—particularly as the pace is deliberate, and the author’s hints about where it’s all heading are too rare and subtle to create much suspense. (Fiction. 11-13, adult)

Pub Date: Oct. 1, 2004

ISBN: 0-439-63648-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2004

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