If laughter actually is the best medicine, fortunate readers of this wonderful novel will surely enjoy perfect health for...
A planned political assassination is the central subject of this delightful 1997 novel, the third to reach English translation from its award-winning, highly popular Polish author (The Mighty Angel, 2009, etc.).
It begins with a killer first sentence (no giveaway here) announcing the master plan concocted by two of Pilch’s three protagonists: to travel from their tiny village (Wisla) to Warsaw and murder Worker’s (i.e., Communist ) Party leader Wladyslaw Gomulka. The conspirators are the father of teenaged narrator Jerzyk, a retired postal administrator, and his ebullient comrade Mr. Traba, a defrocked clergyman, devout boozehound and would-be patriot and liberator. In fact, Mr. T. is a man of talk—and wonderful, self-important, loony palaver his emotional harangues are, echoing the accents of Tristram Shandy’s Uncle Toby (as European critics have noted), with cacophonous grace notes reminiscent of Voltaire and Rabelais. Meanwhile, we’re made privy to the secret thoughts of reluctant fellow anarchist Jerzyk, who’s more interested in lusting after a pair of lissome upstairs boarders, while simultaneously laboring to dream chastely of the older girl he declares “the angel of my first love,” and enduring female reproofs which warn him that “Amorousness combined with erotic illiteracy is a dangerous combination.” Mr. T.’s sinister plot (which involves the use of a Chinese crossbow) occasions spirited debate among such blissfully eccentric neighbors as a loquacious sexton who admires the interminable historical novels of Henryk Sienkiewicz and a feisty pastor who considers the question whether Catholics or Protestants make the best assassins. All is eventually rationalized as needed, Jerzyk’s itches remain mostly unscratched, and The World Goes On.
If laughter actually is the best medicine, fortunate readers of this wonderful novel will surely enjoy perfect health for the rest of their days.Pub Date: July 6, 2010
ISBN: 978-1-934824-27-6
Page Count: 144
Publisher: Open Letter
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
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