Inspiring, if agenda driven, and serviceable as a companion or alternative to Heather Lang’s Swimming with Sharks,...
A tribute to the courage and indomitable will of the renowned ichthyologist.
This eloquent profile follows Clark from a childhood visit to an aquarium through her demonstration that sharks can actually be trained and so are not “mindless killers” as widely supposed. Throughout, Keating highlights the stubborn tenacity with which she shrugged off the pressure to “Be a secretary! Be a housewife!” and followed a dream “as big as a whale shark.” Over the course of her career, she discovered several new species of fish (the Red Sea sand diver, the barred xenia pipefish, and the volcano triplefin) and proved that sharks “deserved to be studied,…protected,…and loved.” Keating focuses so closely on presenting her subject as a woman successfully overcoming gender obstacles that there are no references to Clark’s family, her death in 2015, or the fact that her mother was “of Japanese descent” and her father “American” (presumably white) until the timeline at the end—and the prejudice she encountered as a result of her mixed-race heritage goes unmentioned. In Miguéns’ neatly drawn illustrations, Clark and her mother display slightly East Asian facial features, and figures in crowd and classroom scenes are often people of color. The author appends a section of shark facts, along with a note detailing some of Clark’s other discoveries and accomplishments.
Inspiring, if agenda driven, and serviceable as a companion or alternative to Heather Lang’s Swimming with Sharks, illustrated by Jordi Solano (2016). (bibliography) (Picture book/biography. 4-8)Pub Date: June 6, 2017
ISBN: 978-1-4926-4204-6
Page Count: 40
Publisher: Sourcebooks
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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