An absorbing and powerful story showing the pointlessness of war.
A boy searches for his sister near the end of the Trojan War.
Eleven-year-old Hani wonders if he is the last person on Earth. His family and neighbors have recently disappeared, either killed or dragged away to serve in the war. For as long as Hani has lived, war has raged. Now alone, he survives by killing and roasting frogs. A gentle soul, he doesn’t like killing harmless creatures, but he needs to eat. He feels a special bond with his 6-year-old sister, Arinna, and they share a secret language. Arinna used to sing them both to sleep with songs that she’d heard from the gods, the songs that would protect children from danger, and now she is gone. He sets out on a journey to find her and bring her home. He believes he is not brave, so his mission calls for “loyalty and pluck.” While the setting is not explicitly named, the details—such as bronze daggers, cubit measurements, and the remnants of a wooden horse—firmly situate the tale in the aftermath of the Trojan War. Hani travels with his loyal donkey, Ansa, a source of comfort and wisdom. He does wonder if the thousand or more gods on Mount Hazzi are real; if they were, “why would they destroy the world, then choose him, Hani, the most ignorant person alive, to be the only survivor?” He comes to a burned-out city with its “twisty tangle of human corpses,” almost every one of them an old person. This war has been explained to him his whole life, but he still knows nothing. However, he believes in fate, which even the gods are powerless to stop. His own fate is to search for Arinna. Meanwhile, the first sign he sees of life is a dying soldier who opens his eyes. Is he an invader from across the seas, or is he a defender? Hani doesn’t know, but he has three choices: He can kill the man, walk away and let him die, or try to slake the poor man’s thirst. His decision guides the rest of the plot in this remarkable post-Iliad adventure. Although admittedly ignorant, Hani wisely muses that “love is what holds the world together; even a child knows it, a donkey knows it, a trapped frog knows it.” And perhaps more ominously, “Maybe peace is just war taking a rest.” But he loves “when the first stars appear, rising freshly washed and sparkling from the sea.”
An absorbing and powerful story showing the pointlessness of war.Pub Date: May 20, 2025
ISBN: 9780316581233
Page Count: 224
Publisher: Little, Brown
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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