A critical sampling of important American authors that arouses the appetite.
Letters on Dead White Mostly Male Writers in the American 19th Century.
In the forward, Green jokes of having considered and rejected the above title for his collection of letters on Emerson, Thoreau, Whitman, Poe, Hawthorne, Melville and Dickinson. It’s appropriate, of course, with six of the seven authors being male and all of them white. A professor of English since 1964, Green doesn’t stick to a tenure track style in these essays–written in the manner of letters addressed to a family member or friend–he weaves an interesting course in and out of this rich literary landscape. Blunt candor and clarity trump lit-crit pretense–the author is simply interested in elaborating on the essences that make each writer worthy of his or her greatness and Green’s admiration. He lays the book’s foundation with transcendentalists Emerson and Thoreau, then moves on to the ebullient Whitman, romantic Hawthorn, epic Melville and daunting Dickinson, often providing the proper historical and intellectual context for each writer, as well as how and to what extent they influenced one another. The authors frequently speak for themselves, with Green quoting passages of each work discussed. The author set out on this quixotic adventure in amateurish criticism, and while he might hogtie small works like Thoreau’s “On Civil Disobedience,” he can’t possibly pin down Moby Dick. But that was never Green’s objective. After reading this book, one will likely get the urge to dust off an old copy of Walden or The Scarlet Letter, or set out to a used book store in search of a collection of Emerson’s essays. That was the author’s aim, and he has succeeded.
A critical sampling of important American authors that arouses the appetite.Pub Date: Aug. 30, 2008
ISBN: 978-1-4363-5319-9
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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