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WILL YOU, WON’T YOU?

This is a less-than-riveting novel about a 13-year-old trying to decide who she is. Madeline, Mad for short, lets her fears rule her actions and is intimidated by the two very strong-willed women close to her. Her mother is an attorney and her grandmother is chair of the Senate Finance committee in the rural East Coast. Mad just wants to be invisible. She is sent to her grandmother’s for the summer to relax and ride her beloved horse, Cloud. Throughout the season Mad learns much about politics as her grandmother is caught in the controversial debate surrounding clear-cutting, but more importantly she discovers Scottish dance. Terrified during her first class, Mad progresses rapidly and learns to love the complicated steps and nuances of partnering. Meanwhile, she is trying to devise a way to help Cloud over his newfound fear of cows. The sub-theme throughout is her desire to impress the father she has never met. Her confidence grows in direct relation to her ability to dance, and to her amazement she speaks out at a heated political meeting. Senatorial details and the intricacies of Scottish dance steps bog down the story. Haas (Hurry, p. 714, etc.) links life to dance, and dance to horse riding, in a clumsy way, but by the end Mad begins to understand and like herself. This book will be of some interest to girls who enjoy stories with an equestrian element. (Fiction. 10-12)

Pub Date: Oct. 31, 2000

ISBN: 0-06-029196-6

Page Count: 176

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2000

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FINDING MIGHTY

A quick, agreeable caper, this may spark some discussion even as it entertains.

Myla and Peter step into the path of a gang when they unite forces to find Peter’s runaway brother, Randall.

As they follow the graffiti tags that Randall has been painting in honor of the boys’ deceased father, they uncover a sinister history involving stolen diamonds, disappearances, and deaths. It started long ago when the boys’ grandmother, a diamond-cutter, partnered with the head of the gang. She was rumored to have hidden his diamonds before her suspicious death, leaving clues to their whereabouts. Now everyone is searching, including Randall. The duo’s collaboration is initially an unwilling one fraught with misunderstandings. Even after Peter and Myla bond over being the only people of color in an otherwise white school (Myla is Indian-American; mixed-race Peter is Indian, African-American, and white), Peter can’t believe the gang is after Myla. But Myla possesses a necklace that holds a clue. Alternating first-person chapters allow peeks into how Myla, Peter, and Randall unravel the story and decipher clues. Savvy readers will put the pieces together, too, although false leads and red herrings are cleverly interwoven. The action stumbles at times, but it takes place against the rich backdrops of gritty New York City and history-laden Dobbs Ferry and is made all the more colorful by references to graffiti art and parkour.

A quick, agreeable caper, this may spark some discussion even as it entertains. (Mystery. 10-12)

Pub Date: May 30, 2017

ISBN: 978-1-4197-2296-7

Page Count: 272

Publisher: Amulet/Abrams

Review Posted Online: Feb. 19, 2017

Kirkus Reviews Issue: March 1, 2017

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THE WATSONS GO TO BIRMINGHAM--1963

Curtis debuts with a ten-year-old's lively account of his teenaged brother's ups and downs. Ken tries to make brother Byron out to be a real juvenile delinquent, but he comes across as more of a comic figure: getting stuck to the car when he kisses his image in a frozen side mirror, terrorized by his mother when she catches him playing with matches in the bathroom, earning a shaved head by coming home with a conk. In between, he defends Ken from a bully and buries a bird he kills by accident. Nonetheless, his parents decide that only a long stay with tough Grandma Sands will turn him around, so they all motor from Michigan to Alabama, arriving in time to witness the infamous September bombing of a Sunday school. Ken is funny and intelligent, but he gives readers a clearer sense of Byron's character than his own and seems strangely unaffected by his isolation and harassment (for his odd look—he has a lazy eye—and high reading level) at school. Curtis tries to shoehorn in more characters and subplots than the story will comfortably bear—as do many first novelists—but he creates a well-knit family and a narrator with a distinct, believable voice. (Fiction. 10-12)

Pub Date: Oct. 1, 1995

ISBN: 0-385-32175-9

Page Count: 210

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1995

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