THE NEW GIRL

Draycott Academy’s newest student is about to challenge the status quo, whether she likes it or not.

Lia Setiawan transfers to the prestigious Northern California boarding school on a track scholarship, automatically setting herself apart from her wealthy classmates. Upon her arrival, a distraught Sophie Tanaka, who has a reputation for being a drug addict, is forcefully removed from the campus after punching a teacher. As if that wasn’t enough to give Lia doubts about her place at the school, she downloads the gossip app Draycott Dirt and is disheartened to learn that she’s the student body’s newest target for bullying. As she struggles to keep up her grades and maintain her scholarship, she discovers a cheating ring led by a crooked teacher, and her involvement in seeking justice takes a deadly turn. The story is told entirely from Lia’s point of view, and although Sutanto’s teenspeak feels over-the-top, she provides readers insights into a variety of interesting social issues: socio-economic differences among teens, the school’s weak attempts at embracing diversity, and nuanced cultural tensions within Asian communities. More thrilling than Draycott’s secrets are Lia’s hijinks in covering up a secret of her own that threatens her future. Lia is Indonesian American, with an Indonesian mother and a deceased Chinese Indonesian father; the supporting cast is largely White or Asian.

Campy but engaging.