A charmingly illustrated and designed work that will have trouble finding its readership.
Each letter of the alphabet gets fresh and fancy in this primer from typography guru Hische.
“Letters can be A-for-Athletic,” “J-for-Jeweled,” or “U-for-Unique,” but one thing’s for sure: “Each and every letter is AWESOME!” On each page, lowercase letters are rendered in pastel 3D block lettering, while uppercase counterparts take on stylized typographic pizzazz to match the descriptive text, which features lively adjectives that begin with the corresponding letter. Each anthropomorphized letter has a simple, expressive doodled face and stick limbs. Lowercase b uses a tiny bubble wand to blow a soapy, uppercase bubbly B. Uppercase M is drawn with curling serifs and a rabbit-filled top hat and a wand, much to the delight of the lowercase m spectator. Each scene is colorfully detailed, though visually a bit flattened by the stark white background. While the design is inspired, however, it isn’t clear who this book is intended for. The intricacies of the art may go over the heads of readers learning their ABCs; older children and typography-loving adults, as well as fans of Hische’s work, feel like this book’s true audience. Those readers may find the presentation and format a bit on the young side, while preschoolers will likely struggle with words such as vibrant, prickly, and electric.
A charmingly illustrated and designed work that will have trouble finding its readership. (Picture book. 3-7)Pub Date: Oct. 22, 2024
ISBN: 9780593385012
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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