by Jessica Love ; illustrated by Jessica Love ‧ RELEASE DATE: Oct. 6, 2020
A celebration of weddings and a subtle yet poignant reminder that gender, like love, is expansive. Lovely.
Mermaid-loving Julián is back!
Julián and Abuela arrive at an outdoor wedding on a green lawn (discerning eyes will spy the Statue of Liberty in the distance). Both meet friends at the wedding: Abuela, a familiar friend, and Julián, a new one, Marisol. Julián and Marisol are part of the wedding, which the text proclaims is “a party for love.” Julián holds the leash of Gloria, the brides’ dog, and Marisol—whose baseball cap has been swapped out for a flower crown—tosses petals. Later, after Marisol gifts Julián the flower crown, Marisol, Julián, and Gloria run off to the “fairy house,” or weeping willow. Marisol and Gloria have such fun that muddy paws aren’t a thought...until Marisol’s peach-pink dress is covered in paw prints. But never fear, innovative Julián is here! With the help of the fairy house, all’s well that ends well: Marisol’s hat is returned, the brides welcome the pair back, and everyone celebrates love. Love’s media, applied, as in the previous book, on brown paper, create colors that appear simultaneously soft and vibrant. Most of the main characters present Black or have brown skin. As established in the previous book, Julián and Abuela are Afro-Latinx, and Abuela’s friend and Marisol are also cued Latinx.
A celebration of weddings and a subtle yet poignant reminder that gender, like love, is expansive. Lovely. (Picture book. 4-8.)Pub Date: Oct. 6, 2020
ISBN: 978-1-5362-1238-9
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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