by Jessica Spotswood ‧ RELEASE DATE: June 5, 2018
Enjoy it while it’s fresh.
Secrets simmer in the summer heat in Spotswood’s (The Radical Element, 2018, etc.) beach read.
The four redheaded Garrett girls are the well-known orphans of Remington Hollow, Maryland. In a town so small that everyone knows everyone, struggles are kept hidden below the surface. Nineteen-year-old eldest sister Des feels left behind, struggling with self-imposed obligations to care for her younger siblings and the family legacy. Next in line is Bea, 18, who has just graduated from high school and realizes that the life she planned for herself is no longer the life she wants. Rising junior Kat has a flare for the dramatic but begins to learn that a life lived authentically might be more fulfilling. Youngest sister Vi, 15, has been living as an out lesbian but hopes this summer may bring the young love she has yet to experience outside of her YA romances—especially when she develops a crush on beautiful Latina Cece. Narrative focus shifts between chapters to highlight the perspectives of individual sisters, with notes of Little Women and a dash of Gilmore Girls. Frequent references to contemporary young adult literature, especially in bookish Vi’s chapters, require an audience steeped in the genre, while references to current pop culture limit the time range of the appeal. Though the characters are endearing and the plot entertaining, the fleeting trendiness makes this a one-summer wonder.
Enjoy it while it’s fresh. (Romance. 14-18)Pub Date: June 5, 2018
ISBN: 978-1-4926-2219-2
Page Count: 368
Publisher: Sourcebooks Fire
Review Posted Online: April 29, 2018
Kirkus Reviews Issue: May 15, 2018
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by Joy McCullough , Caroline Tung Richmond , Tess Sharpe & Jessica Spotswood
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edited by Tess Sharpe & Jessica Spotswood
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edited by Jessica Spotswood
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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