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WHO WE WERE IN THE DARK

A somewhat engaging but ultimately meandering and uneven story.

A quartet of teens meet one summer at Donner Lake in Northern California and reunite during subsequent school breaks to reestablish their bonds in this contemporary novel.

Nora and her older brother, Wesley, first go to the lake when their long-absent father suddenly reenters their lives, taking them to his family’s cabin in part to give their mom, who is ill, a break. Nora follows unpredictable Grace, who beckons to her after Nora watches her sneak out the window of her nearby cabin one night, and Wesley trails them to a meeting point Grace has set up with her friend Rand. In an eerily atmospheric narrative that moves sometimes confusingly between the present—when readers know that Grace has gone missing—and various points in the past when the group spent time together, a story emerges of a deeply felt but unconvincing camaraderie among the four and romances between Grace and Wesley and Nora and Rand. Grace’s role as the star that holds the other three in her orbit is made clear from the start, though her character isn’t developed deeply enough to make her hold on the others believable. The realistic subplot about Nora's and Wesley’s strained relationships with both their parents is a poignant one, and it proves more compelling than the central drama. All of the characters are White.

A somewhat engaging but ultimately meandering and uneven story. (Fiction. 14-18)

Pub Date: July 5, 2022

ISBN: 978-0-7352-2814-6

Page Count: 368

Publisher: Dial Books

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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