A tender ode to a family’s ever changing (and never-ending) love.
In lyrical rhyme, a parent promises to love their child across the years of their special bond.
An adult with warm brown skin and long brown hair and a red dress floats above a sleeping town, cradling a baby. Meanwhile, an adult with a somewhat deeper-brown complexion and straw fedora shelters a different child from a downpour. A unified narration offers a series of tender, metaphor-driven vignettes spanning the little ones’ lifetimes. The scenes follow a gentle formula, depicting a stage in the kids’ lives and the support the adults vow to provide (“you’ll be a knight and I’ll be a horse. / We’ll race along a rainbow’s course / to castles in the sky”) then seamlessly shifting into a new iteration of their connection (“until it’s time to fly. / Then…”). As the story progresses, each child’s autonomy grows; in turn, each adult lovingly acknowledges the change their relationships will take. Combining lyrical words with vibrant paintings and occasionally rotating spreads, Young and López weave a rich tapestry that honors the process of children’s self-determination over time. Most notable about this warmhearted tale is how it can be applied to any special adult in a child’s life, including caregivers, extended family, and chosen family. Because each parent-child duo is illustrated as a distinct unit, this book is also a beautiful representation of single parents. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 16% of actual size.)
A tender ode to a family’s ever changing (and never-ending) love. (Picture book. 4-10)Pub Date: March 9, 2021
ISBN: 978-0-316-45328-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
PERSPECTIVES
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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