Full of heart.
A separation grows into expanded love.
After a couple—one who has shoulder-length black hair, the other red-haired and bearded—decide to live apart, their child navigates the ensuing changes. First, the bearded parent sets up a new home with help from the child, but soon the little one says goodbye and returns to the black-haired parent’s house. Then comes the inevitable question: “Are we still a family?” New experiences and traditions are formed, the new home adds a puppy, and the additional physical space creates room to metaphorically grow into. The child still spends time with both parents, but in different locations now, and later, all three attend a community-wide event. Through love continually shared, the two homes become more and more connected. Brief, rhyming verse flows well across the pages. Though the text is spare, the characters’ love for one another is palpable. The mixed-media illustrations are homey, populating the pages with long-limbed bodies and many cozy details. The established home and black-haired parent are awash in yellow, while the new home and bearded parent are dominated by shades of blue. The child, at first stuck in between, is an earthy green. But more green elements begin to appear in each house, with other colors seeping in to balance the scenes, and by the end a literal rainbow spans the homes. The family trio has pale skin.
Full of heart. (Picture book. 3-6)Pub Date: March 12, 2024
ISBN: 9780063253971
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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