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MEDUSA

A smart reimagining of an ancient tale that questions old tropes.

Boy meets girl, girl loves boy—but girl’s hair was cursed and is made of living snakes.

The Medusa myth is given new shading and depth in a feminist retelling that homes in on the heart of a young girl punished unfairly for being herself. After being banished, Medusa lives with only her winged sisters for company on a hidden desert island until Perseus, a son of Zeus, arrives to bring light to her lonely days. Her first-person narration quickly builds connection with readers—even her snakes experience distinct emotions—as she begins to examine her own autonomy and her need to tell her story to a stranger. In her hunger for the sustenance of the connection she’s been denied, Medusa reconsiders the status quo and her relentlessly cruel treatment by both men and gods. Burton delves into the lingering trauma of sexual assault and toxic gender roles in a visceral call to empathy, with surprising twists on the original story. Some messages can veer toward heavy-handedness when they shift away from Medusa’s own distinct perspective, but Perseus’ description of her as a poet is also true of Burton’s prose; aquatic and mythical but not overwrought, its beauty is reflected in Gill’s sublime full-page illustrations. Rich in texture and color, they give the impression of a rediscovered ancient manuscript or mural. Medusa, her sisters, and Perseus have light-brown skin.

A smart reimagining of an ancient tale that questions old tropes. (Graphic fantasy. 12-18)

Pub Date: Jan. 11, 2022

ISBN: 978-1-5476-0759-4

Page Count: 224

Publisher: Bloomsbury

Review Posted Online: Oct. 25, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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