The magic is missing in this intense yet less-well-consolidated return trip.
Hemmed in by long-kept silences and problematic histories, a complicated family in 18th-century Amsterdam struggles to find its future.
Burton’s sequel to her bestselling debut, The Miniaturist (2014), picks up a generation later, in 1705, in a world riddled with secrets. Nella Brandt, the challenged wife of the previous book, now returns as aunt to 18-year-old Thea, the illegitimate daughter of her sister-in-law Marin and Otto, the African manservant who worked for Nella’s late husband. As the story opens, Thea, conducting a forbidden love affair with a scene painter at the Schouwburg Theatre, still yearns to understand the circumstances of her secret conception and to know more about the mother who died giving birth to her. Moreover, what are the details of Otto’s background in Surinam and Nella’s choice never to return to her now-derelict family home, Assendelft? The Brandts are also keeping secret from society at large the fact that they have no savings left and that Otto has lost his job. And there’s one more family enigma that may have resurfaced, as perfect, small, doll-like crafted objects start appearing on their doorstep. Has the strangely prescient miniaturist who haunted Nella’s marriage returned? Despite this welter of intrigues, there’s a static feel to the novel’s first half, scarcely alleviated by the introduction of Jacob van Loos, a wealthy possible suitor for Thea who might be the solution to the family’s financial distress. While two dramatic turning points eventually jolt the narrative forward, the story’s plotting is limited and its mood dominated by introspection, reminiscence, and unhappiness. Among a cast of isolated characters, it falls to Nella to act as the lynchpin once again, enabling a resolution which arrives sweetly but without answers to many of the preceding questions.
The magic is missing in this intense yet less-well-consolidated return trip.Pub Date: Aug. 30, 2022
ISBN: 978-1-63557-974-1
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
