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NIGHT SHIFT

Hartland offers an eye-opener for young urbanites who think that the world goes to sleep when they do. Capping each spread with a page-turning question (“What is that swishing noise outside?”), she introduces a diverse cast of night workers, from a street sweeper and road workers to store window dressers, bridge painters and an all-night DJ. Her postmodern city scenes, done in a style reminiscent of Maira Kalman’s, add both visual links and other night owls, including a turbaned taxi driver, a car full of raccoons checking out a garbage can, a dogwalker and a goodly number of cats. At shift’s end, all (except for the raccoons) gather convivially around the counter of (what else?) the 24-hour café for breakfast. The admixture of less familiar occupations sets this cheery nocturnal excursion apart from others of the ilk, such as Monica Wellington’s Night City (1998) and Patricia Grossman’s Night Ones (1991). (Picture book. 5-7)

Pub Date: Oct. 1, 2007

ISBN: 978-1-59990-025-4

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2007

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SEE PIP POINT

From the Adventures of Otto series

Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...

In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.

The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.

Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)

Pub Date: March 1, 2003

ISBN: 0-689-85116-2

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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RABBIT AND TURTLE GO TO SCHOOL

Floyd and Denise update “The Tortoise and the Hare” for primary readers, captioning each soft-focus, semi-rural scene with a short, simple sentence or two. Rabbit proposes running to school, while his friend Turtle takes the bus: no contest at first, as the bus makes stop after deliberate stop, but because Rabbit pauses at a pushcart for a snack, a fresh-looking Turtle greets his panting, disheveled friend on the school steps. There is no explicit moral, but children will get the point—and go on to enjoy Margery Cuyler’s longer and wilder Road Signs: A Harey Race with a Tortoise (p. 957). (Easy reader. 5-7)

Pub Date: Aug. 1, 2000

ISBN: 0-15-202679-7

Page Count: 20

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2000

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