Hartland offers an eye-opener for young urbanites who think that the world goes to sleep when they do. Capping each spread with a page-turning question (“What is that swishing noise outside?”), she introduces a diverse cast of night workers, from a street sweeper and road workers to store window dressers, bridge painters and an all-night DJ. Her postmodern city scenes, done in a style reminiscent of Maira Kalman’s, add both visual links and other night owls, including a turbaned taxi driver, a car full of raccoons checking out a garbage can, a dogwalker and a goodly number of cats. At shift’s end, all (except for the raccoons) gather convivially around the counter of (what else?) the 24-hour café for breakfast. The admixture of less familiar occupations sets this cheery nocturnal excursion apart from others of the ilk, such as Monica Wellington’s Night City (1998) and Patricia Grossman’s Night Ones (1991). (Picture book. 5-7)
Pub Date: Oct. 1, 2007
ISBN: 978-1-59990-025-4
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip. The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface. Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)
Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up. Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields. Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)
Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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