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LABRACADABRA

This early chapter book is a beaut of brevity and pacing. The narrator has been told to stay home and clean his room while his parents leave to bring back a surprise. They leave absolutely, positively NO clues. So what's the surprise? A pre-named (Larry!), older, rescued dog arrives with an enormous tail and a very questionable pedigree. "I didn't want to feel sorry for my dog. I wanted a dog I could be proud of. A big dog. A tough dog. A smart dog. Not a used dog." The narrator desperately wants a dog friend, though, so he pulls himself together—and before long, Larry's tail demonstrates that it's not an ordinary appendage. With plenty of illustrations and white space, this five-chapter romp flies along. Situations involve underwear, upchucking, a nerdy cousin, bullying, an angry bee in the car and a mother who raises her left eyebrow when upset (even Larry notices). These misadventures unfold within an idealized setting: a suburban neighborhood, a bedroom with clouds painted on the ceiling and a tree house in the backyard. Transitioning independent readers will enjoy getting to know the unnamed narrator and watching his attitude progress as Larry changes from "a used dog" to "my dog." And they will definitely find themselves wishing for a Labracadabra of their very own. (Fiction. 6-9)

Pub Date: April 1, 2011

ISBN: 978-0-670-01251-0

Page Count: 40

Publisher: Viking

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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