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DAISY

This sweet tale of being overlooked and recognizing value others don’t is a perfect treasure.

Finding friendship is the greatest treasure.

Daisy is a shy little warthog eager for friends. But at her forest school, which is filled with woodland creatures of all sorts, her bristly, tusked appearance draws sneers and teasing from some of the other girls. Who knew a raccoon could be so catty? Ostracized and feeling alone, Daisy creates her own world in a verdant thicket of the leafy forest, hidden away from others. And while the other children play and make fun, Daisy collects broken, discarded bits and pieces that she carefully displays in her little forest fort. To her the finds are treasure. As her treasures accumulate, she realizes that someone is leaving objects for her to find. “Hi, I’m Fern,” says her visitor, a shy little skunk. Bagley engages with lovely, soft colors that perfectly pair with the quiet, gentle heart of her story, an opening scene of Daisy making her way through a field abloom with her namesake establishing the tone. Daisy is a perfectly adorable warthog with a winningly expressive snout; she, like all the animals, goes unclothed but on hind legs, using human tools and accessories. The language and message resonate like a whisper in the woods—Daisy’s fort is described as “a magical place, hidden from the eyes of others.” (This book was reviewed digitally with 8.5-by-20-inch double-page spreads viewed at 35.3% of actual size.)

This sweet tale of being overlooked and recognizing value others don’t is a perfect treasure. (Picture book. 4-8)

Pub Date: March 2, 2021

ISBN: 978-0-8234-4650-6

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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