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PREDATOR MOONS

A memorable voyage through a brutal human society, bizarre alien environments, and elastic realities.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2021

In Ramsay’s debut SF novel, explorers venture to distant planets to exploit life-forms who may have a few tricks of their own.

Near the end of the 21st century, the invention of “Drag Engine” spaceship propulsion (which is effectively teleportation) grants humanity access to countless worlds, but it also reveals hidden “glitches” in the universe—leading to the disturbing conclusion that reality is a vast software simulation engineered by forces unknown. Despite this existential blow, mankind plods on, following base instincts of greed, power, lust, and self-gratification. Liquid, shape-changing artificial intelligence machines called “ancillaries” are used as servants, sexual partners, pets, and even repositories of human memories. Everyone who could afford it has already fled Earth for other planets while the moon is now a huge library for universities devoted to new sciences. Mercury is home to greedy “clans” eager to exploit alien invertebrates: “We learned the entire universe was actually overflowing with life—arthropods, arachnids, cephalopods, crustaceans, cnidaria and insects in a trillion incredible varieties.” The curious absence of vertebrates leaves humanity as the cosmos’s apex predator. In this milieu, one-time refugee Isaiah Erickson, a Columbia University anthropologist who’s also a prosperous, high-tech arms dealer, ventures to the distant planet of Conrad in search of valuable, hallucinogenic alien wasp venom, to which he’s addicted. Meanwhile, Chloe Keating, an idealistic grad student hoping to explore and investigate endangered species, gets tricked into following a previous, doomed expedition to the muddy planet Hobbes to harvest enormous centipedes. Her mission and Isaiah’s fatefully intersect.

Ramsay crafts brisk, edgy prose that splits storytelling chores across three first-person narrators: Isaiah, Chloe, and a somewhat anguished ancillary who has the memories of an adventurer who perished while on insect safari. Readers may be able to detect influences from Pokémon cartoons as well as Frank Herbert’s classic novel Dune, although other worlds described in Herbert’s fiction, such as the lethal Pandora in The Jesus Incident(1979), might make for more apt comparisons. Overall, Ramsay offers a work that’s a feat of considerable imagination and attitude—a stimulating tale of interplanetary intrigue and monsters, human and otherwise. Some genre connoisseurs may say that the future humanity he invokes—with its betrayals, obsessions, and sham replicas of animals, people, perhaps even the material world itself, seems like something out of Philip K. Dick’s realm of paranoiac dystopia. A semiderelict New York City that’s down to its last 50,000 people, for instance, would seem right at home in the film Blade Runner. Readers will want to know more about this strange future in which the sexes seem strongly segregated, suggesting that ancillaries have replaced domestic partners everywhere. At the same time, they’ll quietly dread whatever answers Ramsay conjures, and that’s quite an accomplishment, in accord with the credo of one of the duplicitous characters: “Space is dark and full of wonders. Wonders and horrors.” The author includes a “Bestiary” of creatures referenced in the text, illustrated by Sonntagbauer.

A memorable voyage through a brutal human society, bizarre alien environments, and elastic realities.

Pub Date: Sept. 18, 2020

ISBN: 979-8-69-375726-4

Page Count: 222

Publisher: Don’t Give Up the Ship Press LLC

Review Posted Online: Nov. 30, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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ALL THAT WE SEE OR SEEM

Equal parts biting social commentary and page-turning thriller, a disturbing glimpse into humankind’s possible future.

The first installment of Liu’s Julia Z saga is an SF thriller set in a near-future “post-truth age” where the use of AI and the inundation of digital disinformation and data pollution have blurred the lines between delusion and reality.

Julia—whose immigrant mother, a divisive political activist, was murdered during a border protest—has lived on her own since she was 14. A brilliant hacker now 23, she’s been trying to live in online anonymity, acutely aware of the multitude of ways she can be identified and tracked. Living in a Boston suburb and struggling to make ends meet, she inadvertently becomes entangled with a lawyer named Piers Neri and his search for his artist wife, Elli Krantz—famous for her experimental work in vivid dreaming—who may or may not have been kidnapped. A prime suspect in his wife’s disappearance, Piers goes on the run with the help of Julia—and together, they begin putting together pieces of a mind-bogglingly intricate puzzle that links Elli to a powerful criminal with a global reach. As Julia digs deeper into the appeal of vivid dreaming and the criminal’s ruthless endeavors, she discovers the sham that is the American Dream: “America was corrupt and steeped in sin. The powerful had rigged the game for themselves and turned the country into a panopticon to imprison the rest of us. Anytime one of the powerless—it didn’t matter the color of your skin, the language you spoke, the place you were born in—was on the verge of climbing out, they would be ruthlessly tossed back into the pit.” And amid the backdrop of dealing with unresolved childhood trauma and the need to find her place in the world, she finds something unexpected—herself.

Equal parts biting social commentary and page-turning thriller, a disturbing glimpse into humankind’s possible future.

Pub Date: Oct. 14, 2025

ISBN: 9781668083178

Page Count: 416

Publisher: Saga/Simon & Schuster

Review Posted Online: Oct. 10, 2025

Kirkus Reviews Issue: tomorrow

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CRITICAL MASS

An ambitious but plodding space odyssey.

Having survived a disastrous deep space mission in 2038, three asteroid miners plan a return to their abandoned ship to save two colleagues who were left behind.

Though bankrolled through a crooked money laundering scheme, their original project promised to put in place a program to reduce the CO2 levels on Earth, ease global warming, and pave the way for the future. The rescue mission, itself unsanctioned, doesn't have a much better chance of succeeding. All manner of technical mishaps, unplanned-for dangers, and cutthroat competition for the precious resources from the asteroid await the three miners. One of them has cancer. The international community opposes the mission, with China, Russia, and the United States sending questionable "observers" to the new space station that gets built north of the moon for the expedition. And then there is Space Titan Jack Macy, a rogue billionaire threatening to grab the riches. (As one character says, "It's a free universe.") Suarez's basic story is a good one, with tense moments, cool robot surrogates, and virtual reality visions. But too much of the novel consists of long, sometimes bloated stretches of technical description, discussions of newfangled financing for "off-world" projects, and at least one unneeded backstory. So little actually happens that fixing the station's faulty plumbing becomes a significant plot point. For those who want to know everything about "silicon photovoltaics" and "orthostatic intolerance," Suarez's latest SF saga will be right up their alley. But for those itching for less talk and more action, the book's many pages of setup become wearing.

An ambitious but plodding space odyssey.

Pub Date: Jan. 24, 2023

ISBN: 978-0-593-18363-2

Page Count: 464

Publisher: Dutton

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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