Filled with intelligence and sorrow, these sharply drawn glimpses of Roman lives create an impressively unified effect.
A brilliant return to the short story form by an author of protean accomplishments.
Lahiri’s third collection follows her Pulitzer-winning debut collection, Interpreter of Maladies (1999), and Unaccustomed Earth (2008), with novels and essays interspersed. In 2011, she moved from the U.S. to Rome, where she has become a prolific translator and editor in Italian, and like its immediate predecessor, the novel Whereabouts (2021), the stories in this book were written in Italian then translated to English. As a group, they evoke her new city from the perspective of an outsider looking in—sometimes one character peering into the life of another, or characters staying in houses that belong to other people. The first story, “The Boundary,” establishes this theme, narrated by a girl whose family rents out a guesthouse on their property—she watches the renters, listens to them, and draws conclusions about them, and it later turns out they’re watching right back. In the moving and wonderfully economical “The Procession,” a couple cannot get settled in the apartment they’ve rented, the wife particularly agitated by a locked room and a dangerous-looking chandelier. In “Well-Lit House,” an immigrant couple with five children is hounded from their home by bigots; the wife and kids return to their country, and the man wanders the city, homeless. Dark-skinned people in numerous stories are tormented by random acts of cruelty, in several cases by children. The central story of the book, “The Steps,” is like the game of picking out passersby and imagining what lives they have. Seven characters are seen on an ancient staircase of 126 travertine steps in the middle of town, and each is presented in their own story: the mother, the widow, the expat wife, the girl, two brothers (who share a section), the screenwriter. In the last story, “Dante Alighieri,” a woman at her mother-in-law’s funeral reflects on the long-ago loss of a friend, a memory that connects to other losses and distances. “Our deepest memories are like infinite roots reflected in the brook, a simulacrum without end.” She comforts herself by going for pizza with a group of women friends, one of whom utters the book’s perfect last line: “This city is shit….But so damn beautiful.”
Filled with intelligence and sorrow, these sharply drawn glimpses of Roman lives create an impressively unified effect.Pub Date: Oct. 10, 2023
ISBN: 9780593536322
Page Count: 224
Publisher: Knopf
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
PERSPECTIVES
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
An engaging, eloquent message for this fragile planet.
A story of friendship, technology, oceans, and a small island.
Powers juggled nine lead characters in The Overstory (2018), his Pulitzer Prize–winning novel. Here he wrangles just four, but the result is almost as complicated. Two nerdish boys, Rafi Young and Todd Keane, bond in high school over chess and Go. In college, Rafi falls in love with Ina Aroita, a Hawaii-born Navy brat whose mother is Tahitian. The men fall out shortly after brainstorming over Todd’s idea for a computer game called Playground. This strand of the novel is told in retrospect by Todd at age 57, addressing an unidentified “you,” after he receives a diagnosis of dementia with Lewy bodies; he’s an unreliable narrator in more than one way. Interspersed are scenes in later years on the French Polynesian island of Makatea, scarred by phosphate mining and down to a population of 82, including Rafi and Ina and the novel’s fourth lead, an elderly Canadian scuba diver named Evelyne Beaulieu. Her lifelong love of the diversity and preciousness of aquatic life provides the book’s other narrative strand and its environmental theme. Through Todd, Powers sketches the computer and social media revolutions, from early coding to gaming to AI. The counterpoint to this high-tech history is Makatea, a paradise lost to industrial mining that decades later must decide whether to accept a consortium’s lucrative proposal to use the island to build floating autonomous cities. This is a challenging novel, fragmented but compelling, with fine writing on friendship and its loss and on the awe and delight the ocean inspires. Along with its environmental warnings, the book carries an intriguing look at the ways people and animals play, as in the boys’ competitive chess, the antics of manta rays, the allure of computer games, and what a meta-minded author might do with his readers.
An engaging, eloquent message for this fragile planet.Pub Date: Sept. 24, 2024
ISBN: 9781324086031
Page Count: 400
Publisher: Norton
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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