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FRANKENBUNNY

A good choice for younger sibs terrorized by older ones or for kids who need a reminder that monsters aren’t real.

What is it about siblings that makes them want to scare each other?

It’s especially bad when two older sibs team up to scare a younger one, as in this tale. Poor Spencer is just minding his own business, happily playing by himself, when his brothers, Leonard and Bertram, start to stir up trouble with talk of Frankenbunny, the worst monster ever. They are so insistent and descriptive that over the course of a day they talk Spencer out of his unbelief in monsters and have him crying to his parents. But the next day, when the big brothers are away, the little brother finds their crumpled-up scheme to scare him and plots his revenge. And oh, is it sweet. Brereton’s seemingly digital illustrations portray a gray-and-white bunny family of diverse body types and sometimes-clichéd personalities: one brother is fat and thuggish, the other is skinny and nerdlike in red glasses; Spencer is a “regular” kid; Mama has pink cheeks and a swoosh of hair, and Papa sports a beard; all have distractingly thick oval eyebrows. Frankenbunny is seen only in silhouette until Spencer’s payback, and readers will know what’s coming, reducing the scare factor.

A good choice for younger sibs terrorized by older ones or for kids who need a reminder that monsters aren’t real. (Picture book. 4-8)

Pub Date: Nov. 7, 2017

ISBN: 978-1-4549-2172-1

Page Count: 40

Publisher: Sterling

Review Posted Online: Aug. 26, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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